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  • Best of 2020
    Random

    • Genre Genesis // Album of the Year Edition 2020

      Heavy Blog
      January 25, 2021
      Best of 2020, Genre Genesis
    Recent

    • Music Journalism’s Top 50 Metal Albums of 2020

      Nick Cusworth
      February 9, 2021

    • Yearly Missive // 2020

      Eden Kupermintz
      January 25, 2021

    • Heavy Blog’s Favorite Albums of 2020

      Heavy Blog
      January 25, 2021

    • Unmetal Monthly // 2020 In Review

      Jonathan Adams
      January 25, 2021

    • Heavy Blog Staff’s Top 25 Albums of 2020

      Heavy Blog
      January 25, 2021

    • Doomsday – 2020 In Review

      Pete Williams
      January 25, 2021
  • Monthly Missive
    Random

    • Monthly Missive // May 2021

      Heavy Blog
      May 10, 2021
      Monthly Missive
    Recent

    • Monthly Missive // July 2021

      Eden Kupermintz
      July 12, 2021

    • Monthly Missive // June 2021

      Eden Kupermintz
      June 14, 2021

    • Monthly Missive // April 2021

      Eden Kupermintz
      April 5, 2021

    • Monthly Missive // March 2021

      Eden Kupermintz
      March 1, 2021

    • Yearly Missive // 2020

      Eden Kupermintz
      January 25, 2021

    • Monthly Missive // January 2021

      Eden Kupermintz
      January 4, 2021
  • Columns

    Recent

    • A Gift to Artwork // July 2021

      Karlo Doroc
      July 12, 2021
      A Gift to Artwork, Columns

    • Kvlt Kolvmn // July 2021

      Jonathan Adams
      July 12, 2021
      Columns, Kvlt Kolvmn

    • Rotten to the Core // July 2021

      Calder Dougherty
      July 12, 2021
      Columns, Rotten to the Core

    • The Void Screameth // July 2021

      Eden Kupermintz
      July 12, 2021
      The Void Screameth

    • Unmetal Monthly // July 2021

      Jonathan Adams
      July 12, 2021
      Columns, Unmetal Monthly

    • Flash of the Blade // July 2021

      Eden Kupermintz
      July 12, 2021
      Flash of the Blade
    • A Gift to Artwork
    • Cool People Column
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    • Doomsday
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    • Kvlt Kolvmn
    • Post Rock Post
    • Rotten to the Core
    • Unmetal Monthly
  • Genres
    • Metal
      • Black Metal
      • Death Metal
      • Doom Metal
      • Grindcore
      • Metalcore
      • Post-Metal
      • Progressive Metal
      • Stoner Metal
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    Featured

    • Dvne - Etemen Ænka

      Eden Kupermintz
      April 5, 2021
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    • Year of No Light – Consolamentum

      Eden Kupermintz
      July 12, 2021

    • Anthropophagus Depravity – Apocalypto

      Bridget Hughes
      July 12, 2021

    • Azure – Of Brine and Angel’s Beaks

      Eden Kupermintz
      July 12, 2021

    • Cerebral Rot – Excretion of Mortality

      Jimmy Rowe
      July 12, 2021

    • Boss Keloid – Family The Smiling Thrush

      Eden Kupermintz
      June 14, 2021

    • VOLA – Witness

      Eden Kupermintz
      June 14, 2021
  • Listen To This!
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    • Hey! Listen to Let Us Prey!

      Joshua Bulleid
      July 28, 2020
      Listen To This!
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    • Release Day Roundup – 7/30/21

      Scott Murphy
      July 30, 2021

    • What We’re Really Listening To – 7/23/21

      Scott Murphy
      July 23, 2021

    • Release Day Roundup – 7/23/21

      Scott Murphy
      July 23, 2021

    • Release Day Roundup – 7/16/21

      Scott Murphy
      July 16, 2021

    • What We’re Really Listening To – 7/9/21

      Scott Murphy
      July 9, 2021

    • Release Day Roundup – 7/9/21

      Scott Murphy
      July 9, 2021
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Tagged Gunship

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Gunship

Genre Genesis // Ulver – “Russian Doll”

Nick Cusworth
October 5, 2020
Genre Genesis
Genre Genesis is our monthly column dedicated to the hardworking and endlessly patient partners of Heavy Blog editors and writers, who are, shall we say, not nearly as invested in heavier music as we tend to b... Read More...

Blood Machines – Synthwave, Misogyny, and the Cancellation of the Future

Eden Kupermintz
January 28, 2020
Deep Dive
In his ground-breaking work Ghosts of My Life (all quotes from this, searchable, online edition), the late British philosopher and music critic Mark Fisher tells us that: Rather than the old recoiling from ... Read More...

Hey! Listen to Finally Some Action!

Eden Kupermintz
April 29, 2019
Listen To This!
Oh boy, it's been ages since I recommended some good synthwave/darkwave on the blog! When I stumbled across Finally Some Action in the blog's inbox, my expectations were high. I mean, that name is so good! Whe... Read More...

Editors’ Picks – October 2018

Heavy Blog
November 1, 2018
Editors' Picks
A quick scroll through this month's picks will tell you that this is probably the most diverse edition of Editors' Picks in a while. There's no grand narrative at operation here; we didn't go out of our way to ... Read More...

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Latest Reviews

  • Year of No Light – Consolamentum

    Eden Kupermintz
    July 12, 2021
    As much as Year of No Light are rated in underground circles, they are still underrated. Their name deserves to be up there with bands like ISIS or The Ocean in the annals of post-metal and doom. Consolamentum, twenty years into their career, is one of the best things they’ve made and one of the best things made in the genre, period. Holy fuck.

  • Cerebral Rot – Excretion of Mortality

    Jimmy Rowe
    July 12, 2021
    Truth be told, Cerebral Rot have found themselves in a bit of a sophomore slump with Excretion of Mortality. Even at faster paces, the songs feel robbed of urgency, and the whole affair just feels labored. Those aching for a slab of pungent death metal will surely have a good time regardless, and the music is every bit as disgusting as one would hope based on the grotesque cover art.

  • Anthropophagus Depravity – Apocalypto

    Bridget Hughes
    July 12, 2021
    Even by metal standards, brutal death metal is a controversial topic. Plenty of longtime metal fans can’t stand the ove... Read More...

  • Azure – Of Brine and Angel’s Beaks

    Eden Kupermintz
    July 12, 2021
    The same band we've come to love (and boy, do I love Azure) is still there, their optimistic, hopeful, powerful heart still beating underneath the added musical layers. And that's what makes all of those additions work; in other works, they'd come off as extraneous or forced, the mark of a band trying too hard to be something they're not. But here, the extra tones, the contrasts, the counterpoints, and the overall structure of the album work so well because they are in constant communication with Azure's style and their artistic direction.