Beaten to Death! I have written and said that name many times this year and for damn good reason; these guys have been making some of my favorite grindcore for the last oh, let's see...almost a decade now! The... Read More...
Honestly, I knew I was in for a wild ride when I asked Netherlands to write this post for us. If you're still unaware of these guys, let me introduce you: they're from Brooklyn. They make a kind of poppy sludge that takes Torche and feeds it through a grinder, belching it out some sort of neon pink, noxious and incredibly groovy weirdness from the other side. They're also don't take themselves too seriously, infusing plenty of their music and its surrounding aesthetics with lots of self-deprecating and society-deprecating humor. Oh, and they're also incredibly hard-working, having released an album and an EP in the last two years and now gearing up for Black Gaia, which comes out on the 24th of August and a tour with none other than legends Mastodon and Dinosaur Jr. You can head on over to their site for dates and a pre-order thing.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
As I wrote in my review of LA post/math-rock enclave Arms of Tripoli's recent sophomore album Daughters, I have a particular soft spot for the band not only because they clearly pull influence from so many instrumental and progressive bands that I already love, but also because they were the first band I came to know and love specifically through writing for Heavy Blog back in 2014 for their debut full-length Dream In Tongues. In my mind the band are just about everything that is good about instrumental post-rock without any of the bloat, mediocrity, and tediousness that plagues so much of the genre and its heavier cousins in post-metal. I've been following them closely since and eagerly awaited their next release. So when Arms' bassist Mike Bouvet reached out to me personally about the upcoming release of Daughters, I knew that I wanted to talk to them about a whole bunch of things. Over a few e-mails we discussed their formation, their collaboration and improv-focused writing process, what sets them apart from most post-rock bands out there, and, of course, eggs.
When bands return from 10 years away from the recorded word it’s logical for fans to expect *something* that sounds familiar. We want those echoes. The nostalgic pull at our heart strings for days of yore when we listened to “Band - Last Album” with such glee and aplomb that it would leave us wanting more, so much so that a decade later we will line up to ingest their latest offering. But realistically speaking, the question has to be asked how can we expect anything to be even remotely the same as it was after a prolonged period away from itself like that? Oxbow swaggers into the room to forcefully ask the audience this question on Thin Black Duke, their newest album coming hot on the heels of 2007’s The Narcotic Story (if Antarctica seems like terrific beachfront property to you).