Half-Life: Billy Joel

How does one adequately define another as a legend? I’ve often asked myself this question as I was writing this. There are, of course, myriad answers to that question, but I like to personally think that a legend is one who, through scrutiny and rough times, through lows and personal…

Editors’ Picks: July 2016

With so much great music out there and so much music that our staff reviews (and plenty that we don’t), it can be difficult to keep up with it all and determine which releases are the most worth your time. Harnessing the wide-ranging and diverse tastes of our editorial staff, our…

The Jazz Club Vol. 8 – Controversial Jazz Albums

Welcome to another edition of Jazz Club, where we touch upon several classic records and a handful of newer albums that are handily carrying the torch. This week, we wanted to explore the idea of a “classic” jazz record, specifically regarding this question: were some jazz standards always thought of as highly as they are today? The answer is a pretty resounding no; as with any genre, many of the records now considered essential were once earth-shattering, jimmy-rustling affairs that either puzzled or repulsed music critics and fans. Today, we’re going to take a look back at three of the most controversial records in the genre, all of which redefined the genre in some way and received quite a bit of flack for it, before eventually leaving a lasting imprint on the shape of jazz to come (*hint* *hint*).

The Jazz Club Vol. 4 – A Starter Kit for Jazz

Welcome to Jazz Club, our sort-of-but-not-really regular column that expounds one of the greatest – and perhaps most alienating – genres ever. Today we’re going to go back to square one, and talk about some key albums to spin if you’re interested in possibly listening to jazz. Obviously, these are our opinions; if you don’t agree, feel free to send us hate in the comments.