It’s been a while since we’ve written one of these columns, and that’s not because we dislike them. Past a certain point it starts to become more difficult to find important bands representing or making waves in a certain genre or sub-genre and finding a group of similar or tangentially-related bands to recommend. Up to this point though we haven’t really written one of these posts as essentially a response or plea to listeners. Sometimes bands who execute a certain style or sound garner a lot of critical and popular praise to the point of being credited with some sort of innovation or something radically different from anything else out there when the reality is far from that. It’s rarely the fault of the bands themselves though as they don’t give themselves that kind of credit, but once in a while it’s important for someone to politely correct consensus thinking and offer a little more context, and that is exactly what we’re going to do here and now with the debut album from metal/jazz fusion band Nova Collective.
Last week we spoke with Brendan Brown of Infinite Density, Ne Obliviscaris and Vipassi fame, and today we’re joined by another very special guest. His bandmate in two of those projects, the inimitable Ben Boyle, contributed vocals to Infinite Density’s debut 2016 release Recollapse of the Universe, and guitars and composition on Vipassi’s debut EP Śūnyatā. As well as those two projects, Ben is the mastermind behind the experimental grind band A Million Dead Birds Laughing (got to be the best band name ever, am I right?), and is perhaps best known for his role as a guitarist and songwriter in the death metal band Hadal Maw. Every single one of these projects is creating art of the highest quality, and they absolutely deserve all of your time.
As is Christmas tradition, we at Heavy Blog Is Heavy have once again reached out to some friends and family in the online metal community to put together a small gift to our readers in the form of Heavy Comp Is Heavy. This year, we’ve collected nearly twenty tracks from…
Since we publish our individual Top 10 lists right after our main one, you can clearly tell that there are always albums missing for each writer from the general list. We embrace that fault as one of the inevitable limitations of general lists for the collective power such aggregations hold; we wouldn’t give up doing a main list, ever. However, it’s always been a habit of ours to allow each writer to highlight one album from their Top 10 selections that didn’t make the final cut. This allows us more flexibility and the chance to, one last time, shun a light on some of our favorite music from the year. In a fantastic year such as 2016, it’s almost a necessity, as our list, more than ever, misses out on so much of the greatness contained therein.
With our general list for 2016 out of the way, we can now shift the focus from our aggregate opinion to individual ones. Both outlooks have their own merit; the former provides us with an overview of our year in music. However, the latter shines a light on something we’re extremely proud of and that’s the varied and eclectic nature of our staff these days. We used to have a very certain type of music associated with Heavy Blog and while we still have a long way to go, we feel like we’ve done a good job at expanding our palettes and the representation of different kinds of music and metal in our staff. The lists below reflect that; you’ll find black metal, avant-garde, technical thrash metal, hip hop, rap, noise, ambiance, post metal and rock, melodic death metal and much more throughout these lists.
So we’re doing a two-part series on picking the podcast’s official albums of the year 2016. We start with the blog’s list of 400+ albums that are worth consideration this year, whittle it down to 86 albums we care about, and then start cutting them. The objective is to get to a ranked list of 10 items and an overall list of 20 albums. We get down to about 45 this week until the cuts really start to hurt. This was real fun to do, so I hope you all enjoy too! The lists will be posted below.
Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts (last week’s update here) will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place…
You didn’t think that, once I discovered the secret of being lazy about these show notes, I’d go back to being not lazy, right? The structure of that sentence was abysmal. But I had a fun time trolling Eden this episode, and so did his new dog (RIP)! We talk about: Oddland, Disillusion, Alcest, ColdWorld, Native Construct, Babymetal, Devin Townsend, Departe, Brain Tentacles, Opeth, Orphaned Land, Infant Annihilator, Betraying the Martyrs, Inanimate Existence, Fountainhead, Anciients, Hannes Grossmann, Leander, Abnormality, Wintersun and Nader Sadek. Then, balls deep on Lamb of Dog! I mean, Lamb of God!
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.netthrough your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
We sometimes ask ourselves, what does it mean to make good progressive metal or, put more broadly, to make good progressive music? One way of looking at it is to take bands like Opeth or Enslaved, where we determine the way they meld crushingly heavy extreme metal with beautifully mellow…