Apprentice Destroyer – Permanent Climbing Monolith

I’ve always gravitated towards multi-instrumentalists with an array of sonic interests. Artists who extract unique ideas from a kernel of creativity always tend to mix flavors with each side project. A great example is the collective work of Kevin Hufnagel and Colin Marston (who just released another excellent Dysrhythmia album),…

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Hey! Listen to Not Your Friends!

Short bursts of off-kilter aggression have yet to go out of style for me. As much as I’ve gravitated toward longer and more complex music, I still periodically revisit my high school affinity for the ’00s mathgrind and noisecore scene. I was addicted to bands like An Albatross, iwrestledabearonce, and…

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Alarmist – Sequesterer

By now, you’ve probably seen us rant and rave about the new wave of “post-math rock”; more specifically, the trend of bands blending the traditional bouncy melodies of math rock with post-rock structures, jazz-influenced technicality, and generally progressive and experimental ideas. As I’ve outlined before, Art As Catharsis and Small…

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The Biology of Plants – Vol. 2

Sixty years after Ornette Coleman released The Shape of Jazz to Come, contemporary musicians continue to challenge and expand upon the core tenets of the genre. Besides its notable anniversary, I mention Coleman’s breakthrough specifically due to its embodiment of disruption. The reception for his playing style has softened considerably…

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ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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Zvi – Deer Pink

Sometimes music critics can benefit from adhering to the notion that “form follows function.” It’s an abstract use of the bauhaus principle, but one which feels especially relevant in the modern music landscape. We often slather genre tags on scenes and artists that are growing more and more stylistically agnostic,…

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