Hey! Listen to Stoned God!

This year is already shaping up to be a monumental year for heavy music. It seems like there’s been more great releases in these first couple of months than the entire first half of 2019 combined. Moreover, even with all the outstanding big-name resales, it’s largely been the smaller, up…

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Loathe – I Let It in and It Took Everything

For every action there is an equal and opposite reaction.   That there has been quite the buzz around Liverpudlian quintet Loathe since their debut EP, Prepare Consume Proceed, dropped in 2016 makes the existence of skeptics and detractors as inevitable as a rabid and dedicated fanbase.  Their first full-length, The…

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Unprocessed – Artificial Void

Since scenes are so amorphous, the number of adjectives, metaphors, and similes we can use to describe them is truly endless. One of the least used but most useful is that of a pool when a stone is dropped into it. The rings of water spreading out, their inevitable refraction…

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Humanity’s Last Breath – Abyssal

Summertime. The living may be easy, the fish jumping and the cotton high, but Humanity’s Last Breath couldn’t give a shit about that. As Europe is broiled by a particularly ferocious heatwave, the Swedes prepare to deliver a relentless blast of bleak and uncompromising gloom on harsh Scandinavian winds.  Abyssal,…

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Pound – ••

As a music critic, I’ve always strived to go beyond curation by attempting to contextualize the artists and albums I review. Of course, finding and recommending noteworthy new music is still an important part of the job, especially in today’s saturated music market. But the opportunity for deeper analysis has…

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Destrage – The Chosen One

All of us have expectations. Whether it’s for your personal life, professional life, or as simple as going to the movies, you have a certain expectation for any given thing. Sometimes you have very high expectations that generally only lead to your disappointment, like taking out a million-dollar loan for…

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Periphery – Periphery IV: HAIL STAN

It’s 2019, and Periphery are untethered by third-party oversight and have complete creative freedom. One would expect, given their memey and not-so-serious aesthetic and progressive-leaning musical nature, that they must have not had much oversight from their previous label Sumerian Records to begin with; after all, much of the music that Periphery were releasing under Sumerian had a paper trail of demos from the Bulb Soundclick demo era of the band, and the output was always super consistent in terms of quality and musical direction, so it was easy to just assume that the band called their own shots.

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