Best of 1999

The historical significance of 1999 will be remembered for a long time now. It was a cultural moment that far exceeded any other “decade closer” in the 20th century. Events like Y2K or The Matrix seemed to bring to fever pitch the technological explosion, and the subsequent mark it left…

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Sulphur Aeon – The Scythe of Cosmic Chaos

There are few literary universes that have been plundered as deeply by metal bands as that of H.P. Lovecraft’s Cthulhu Mythos. While there are many other fictional worlds that have received their fair share of attention within the genre (Tolkien’s Middle-Earth being the most obvious and popular example), few if…

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Death On Fire – Witch Hunter

Being a music critic, journalist and/or blogger can be quite a thankless task at times, particularly when it comes to reviewing albums. A while back we ran a piece on some of the most aggravating comments a writer can receive on their reviews, but that article didn’t touch upon related…

Death’s Door // October 2017

Welcome to Death’s Door, nerds. We’re freshly past Our Lord and Infernal Master’s designated holiday, and I’m so hopped up on candy and the blood of the non-believers that I can’t even function. Despite my shot adrenal glands and ever-expanding waistline, there’s a whole lot of premium death metal to cover, as has been the custom in this most nefarious year of 2017. Praise be. October is typically a fantastic month for premier releases, especially in the world of metal. In that regard, this October did not disappoint. Melodic death metal in particular saw a glut of fantastic releases, while death-doom and progressive death metal both unleashed releases that are poised to transform the way we think about death metal as a whole. I’ve said it before and I’ll say it again, 2017 is one of the finest years for death metal of nearly every shape and type in recent memory. This is legitimately the second golden age of death metal, and I hope and pray it continues in perpetuity. Regardless, let’s celebrate the health of the music we love while it continues to fester and rot in new and unexpected ways. Our picks this month pull from many different sectors of the death metal world. Post your picks in the comments and let us know what you loved/what we missed. Let’s do this.

Death’s Door – The Month in Death Metal // May 2017

Welcome once again to Death’s Door. Wipe your feet, yada yada. Ugh. Your eternal servant of Death is tired. Why is this, you don’t ask? I’ll tell you anyway, you miserable tourists (which reminds me, no flash photography). You see, I have recently come into possession of a hellhound of the most diabolical bent. He is a dark, menacing beast who consumes rations from my stores at will, has chewed all of the bone furniture to bits, and howls like the demon he is far into the eternal night that consumes us all. Observe his ferocity:

Heavy Blog Staff’s Top Ten Albums of 2016

With our general list for 2016 out of the way, we can now shift the focus from our aggregate opinion to individual ones. Both outlooks have their own merit; the former provides us with an overview of our year in music. However, the latter shines a light on something we’re extremely proud of and that’s the varied and eclectic nature of our staff these days. We used to have a very certain type of music associated with Heavy Blog and while we still have a long way to go, we feel like we’ve done a good job at expanding our palettes and the representation of different kinds of music and metal in our staff. The lists below reflect that; you’ll find black metal, avant-garde, technical thrash metal, hip hop, rap, noise, ambiance, post metal and rock, melodic death metal and much more throughout these lists.

Heavy Blog’s Top 50 Albums Of 2016

We wrote a pretty big check to ourselves when we closed off 2015. Publishing not only a list which proclaimed the triumph of 2015 but also a whole editorial dedicated to the idea of “The Golden Age of Metal”, we set ourselves up for disappointment. Like the rest of the music establishment which, in numerous places implicit and explicit, was apparently ready to join in the social lynching of 2016, we were well positioned to find it a sobering, dreadful, faith shattering year for music in general and metal specifically. Except it was nothing of the sort and we cannot stress our amazement at metal/music journalism’s reaction so far. 2016 was an absolutely fantastic year, building on the trend of solid and often groundbreaking releases from established acts and simply astounding, out of left field releases from virtually nameless bands. Sure, it had its disappointments for us from huge bands we had expected more from (although signs of their demise were certainly forthcoming) but, overall, it was a year which will surely be remembered in our circles as one of the best years for music in general.