One of the great musical injustices of the last century was the disservice done to disco and funk. Painted as “simply” a meaningless and mindless bit of fun, the two genres were completely severed from their musically interesting and socially radical roots. From a style that sticks a finger in the eye of rock n’ roll, focuses on sex positivity and diversity, disco became the commercial opiate of the white masses, drummed up as another combatant in the supposedly radical culture wars that were and are fueling the corporate music machine. Luckily, not everyone has forgotten the legacy of disco and its radical potential; TWRP have been proudly carrying that torch for years now. Their previous releases included tracks like “R.E.S.P.E.C.T. Her” and plenty of empowering lyrics.
This year charges on and doesn’t appear to show any signs of slowing down. As we near the six month mark (and our own Top 25 of 2017 So Far), it’s becoming apparent that 2017 hits on broader fronts than 2016 did. While the previous year was an amazing year for some very specific genres, there were others that suffered less than stellar performance. With 2017, there’s very little that’s left untouched, with great releases coming from left and right. The list below is a great example of this; it contains post rock, grindcore, jazz, psychedelic electronics, death metal, stoner and oh so much more. Each of these sub-genres have been producing great releases this year, giving 2017 the illusion of a siege. From us, the nominal besieged, a measure of elasticity is required; we must keep our ears open and listen to new places, places we might have abandoned up until now.
Welcome to another edition of Jazz Club, where we touch upon several classic records and a handful of newer albums that are handily carrying the torch. This week, we wanted to explore the idea of a “classic” jazz record, specifically regarding this question: were some jazz standards always thought of as highly as they are today? The answer is a pretty resounding no; as with any genre, many of the records now considered essential were once earth-shattering, jimmy-rustling affairs that either puzzled or repulsed music critics and fans. Today, we’re going to take a look back at three of the most controversial records in the genre, all of which redefined the genre in some way and received quite a bit of flack for it, before eventually leaving a lasting imprint on the shape of jazz to come (*hint* *hint*).
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
The Algorithm CRITICAL.ERROR 01. Reverse 02. Calculated Movements 03. Access Denied 04. CRITICAL.ERROR 05. Kernel Pt. 1 06. Kernel Pt. 2 07. Kernel Pt. 3 08. Boucle Infinie [07/08/10] [Self-released] So there is some very weird music in the world. Hunab Ku and Pin-Up Went Down are two examples of…