Back in March, I spent the better part of an hour speaking with Between the Buried and Me bassist Dan Briggs to discuss his myriad of projects and his development as a musician and evolution as a bass player. The first half of our talk was published last week, wherein we discussed collecting vinyl, the prog aesthetic, and the records that inspired him to first pick up a guitar — and eventually, bass and keyboards. In this second half of our interview, we discuss his new project Nova Collective and its place in the genre of jazz fusion. We also discuss the process of revisiting their modern classic Colors, and where the band goes from here.
Bluegrass generates most of its interest from technical ability, even in its most traditional veins. Generally, the genre operates a lot like jazz: different configurations of instruments improvise solos on standard tunes. There’s mostly likely an upright bass and some light percussion like tambourine or washboard in the rhythm section, treble instruments like fiddle, banjo, mandolin, and guitar taking solos, and multi-part harmonies in the vocals. Bluegrass generally borrows from the same sources as country and folk: Scottish, Irish, and English folk music, African American spirituals, and blues. Progressive bluegrass started, like progressive rock, in the late 60s. While, the compositions never really reached the complexity of prog rock, the idea was the same in the beginning: the chord progressions got more complex, it started borrowing from other genres most notably jazz, modern rock, pop, and classical music, and the lyrics became deeper.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
It’s Friday, and that means weirdness on Heavy Blog! However, today’s podcast is a special one. It’s the tenth episode we’ve recorded, and Scott and I agreed that we should cover something special, that we’re perhaps a bit more familiar with than other releases, and talk about it without giving…