Even a cursory glance of our biweekly playlist updates will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of Playlist Swap, where two of ou... Read More...
Welcome to Connecting the Dots, the column where we give a brief rundown on a central band along with a host of other projects their members, both past and present, have been involved in. Today we’ll be focusing on progressive sludge powerhouse Mastodon and the myriad of projects they’ve been involved with.
It's been a while since we've posted an 8 Track post, so let me remind you what this is all about. The idea is to choose 8 tracks from a band's career that exemplify their growth and their style for those who might not be aware of them at all or just aware of a very specific part of their career; as such, the series works well for big names, especially those with diverse discographies. Thus, Coheed And Cambria are a natural choice for this type of list. They're a huge band but also one with a deep back catalog containing work that might not necessarily be familiar or appealing to modern day fans. This also makes this post especially difficult; do you curate it heavily and risk the bias of an editor showing through in the choices, potentially missing parts of the band's career, or do you let the staff run wild and risk the post lacking a clear narrative?
Comeback albums are in vogue this year, especially for rock music and its offshoots. At the Drive-In, Gorillaz and nearly every major shoegaze pioneer (The Jesus and Mary Chain, Ride, Slowdive, etc.) have all resurfaced for returns-to-form or late-career flops, depending on whom you ask. The fact many of these bands had been laid to rest for decades certainly contributed to disappointment among some fans, as did the heightened expectations created by their pre-breakup classics. Part Chimp bucks the drawbacks of all these metrics with their hiatus-smashing record Iv, which provides and incredible delivery of the band's signature blend of sludge-ridden noise rock and stoner metal. The band's comfortable position in the underground and relatively short hiatus—they disbanded in 2011 and reunited last year—has allowed Iv to feel less like a comeback album and more like a reunion with a beloved friend, where good memories come flooding back and it feels as though everything is still in its right place.