8-Track: Amorphis

Amorphis has had an eclectic career, to say the least. The Finish melodeath pioneers have been responsible for some of the most memorable and the most forgettable melodic death metal the genre has to offer. While modern times may have seen them become overshadowed by their countrymen in Insomnium and Children of Bodom, yet few have traversed a stylistic spectrum as wide as Amorphis. The near three-decades since their inception has seen the band go through significant line-up changes, all while incorporating sizable aspects of folk, progressive, doom and even power metal into their ever-evolving sound. Now with thirteen studio records under their belt, finding an entry point into their oft-overlooked yet not inconsiderable career can be a daunting task. So, in celebration of the release of their new record Queen of Time, here's a look at 8 of the most definitive and rewarding moments of their career.

An Ode to Spring – Metal, Thematics and Politics

Since the vast majority of Heavy Blog contributors fall on the left side of the map (shocking, we know), focusing on the latter seems like the way to go. Criticizing the other side of the political map is easy enough; taking a hard look at your own camp is where things get tricky. Thus, let us turn our eyes on one of the most typical leftist refusals to engage: the retreat. There are few places in the cultural world where this retreat is more obvious than in music and, more specifically, in metal. Even more specifically, the current throes which are black metal is undergoing are even more lucrative for our needs. There, leftist retreat is alive and happening right now, both because of the virility of the claims on the other side (read: the amount of black metal that's truly awful) and because the themes of black metal have already been declared by the larger, more abstract "left" as anathema in the past.