Doomsday – 2018 In Review

A dark and foreboding greeting to you, heaviest of Heavy Bloggers! Yes, I’m afraid it’s that time again. The death of the year 2018 demands a review, and we would be quite foolish not to oblige. It’s been another very solid year for doom metal. Personal favorites and genre darlings alike have returned with huge releases, up and comers have made themselves known, and a certain giant of the scene made a comeback after a far too long hiatus. What’s not to like about DOOM 2018?

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Holy Grove – II

So it goes with doom and doom-adjacent artists, the suffocating wear-you-down nature leads to a common endgame. The physicality of gargantuan riffs and laborious rhythms take a toll, eroding one’s sunshiny disposition to a hopeless and dread-bogged torpor. Despite (or because of) this, we love it. We live to feel…

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Domkraft – Flood

Doom metal. There’s a lot of it, yeah? By now, the idea of doom metal making a comeback is absurd, since we’re already well into this comeback. We’ve forgotten that doom (and, to a lesser extent, stoner) was a dead genre not too long ago, mostly but not totally buried…

Heavy Blog’s Top 25 Albums of 2018 (So Far)

Midpoint. Half in, half out. Shadow. A divide. Balance. The semantic milieu surrounding stuff that’s divided 50/50 is incredibly rich; it opens some of the greatest cultural creations of all time (“Midway upon the journey of our life / I found myself within a forest dark” – Dante’s The Inferno) and…

Doomsday // June 2018

Greetings, heaviest of Heavy Bloggers! Welcome to Doomsday, our celebratory roundup of all things slow and low, doom and gloom that may have slipped under the radar over the past month (or so). I’ll be frank, fellow doomheads: the month of June, at least for this author, was dominated by…