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Tag Archive: Uneven Structure


uneven structure frost

I typically subscribe to the belief that there is an indisputable “big four” of djent — Periphery, Tesseract, Vildhjarta, and Uneven Structure — and that these acts are miles ahead of the rest in the genre for various reasons. Uneven Structure for instance has always had this knack of being somewhat (perhaps unintentionally) Pink Floydian in spirit, with ambient soundscapes, epic progressive compositions, and the visuals to match. Case in point, the new video for ‘Frost/Hail’ from their brilliant 2011 debut album Februus.

The video, which is now available for streaming at Metal Injection, combines ‘Frost‘ with a chunk from the following track ‘Hail.’ It’s kind of a bummer that the band didn’t use the entire song, but a 13-minute music video would be asking for too much and I know that guitarist/graphic artist Igor Omodei has been slaving over this video for months. Regardless, the band executed the cut just right and the video looks gorgeous.

Februus is out now on Basick Records, and will be available in Europe this weekend as an exclusive vinyl record for Record Store Day. Since I’m based in America, I can’t get the Februus vinyl just yet, so count yourselves lucky if you love across the pond. Someone pick me up a copy and I’ll reimburse you. Seriously.

- JR

 

2013

Hello, everyone! Welcome back! We left you last month with a week-long retrospective of the year in the way of our own personal best-of lists. With 2012 a thing of the past and a new year of promising releases coming up ahead, we felt it appropriate to open our posting cycle in 2013 with a look forward. Throughout the week, several writers will be giving you breakdowns on what records you can look forward to in the coming year. To get you started in planning the year ahead, here are five albums that you need to keep an eye out for:

Cynic – TBA Third Album (Season of Mist)

cynic

The progressive metal legends will see a return in 2013 with the follow-up to 2008′s Traced In Air. It doesn’t really feel like it’s been nearly five years since their critically acclaimed comeback, as the band have tied us over with several tours and EPs. Granted, the extreme metal roots that the band started with (the core being members of Death for crying out loud!) have nearly vanished, but Cynic have been leaning much more into a new-age psychedelic jazz fusion sort of sound that is both thrilling and thought-provoking.

Having returned to the studio in December, drummer Sean Reinert promises, “a bold new sound for CYNIC and marks a gigantic leap in the band’s progression. We’ve had a lot of time to let this material develop and gestate, and it finally feels ready to be unleashed on the world. I’ve been in trio mode with Malone and Masvidal flushing out a zillion and one details, and couldn’t be happier about what’s happening with these songs. They are truly alive!”

And with song titles like ‘Endlessly Bountiful’, ‘Moon Heart Sun Head’, and ‘True Hallucination Speak,’ you can guarantee that the band will be back in full force with their shamanistic aesthetic.

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alkahest

So it’s Wednesday at 3:43 AM the week these year-end retrospective lists are being published and I’m scrambling to edit my fellow writers’ contributions when I’ve barely even started mine. To be honest it hasn’t even quite settled in that 2012 is just about over. As I’m writing this, there’s about a week and a half left of the year, and it puzzles me. It feels like just a couple of months ago that I was doing this exact same thing for 2011, only this time I seem to be much busier and everything looks different. The site, wordpress, and even my staff group have all changed.

We’ve picked up a number of fresh faces this year that you’ve already seen these past few days, but you may have also noticed that a couple of people from last year are no longer with us. A lot of people have come and gone over these past three and a half years that I’ve been doing this Heavy Blog thing, and most of them sort of float around and hang out when they can. The most important ones that come to mind right now are Dan (Dormition) and Chris (Disinformasiya), both of whom were very instrumental and valuable in the growth of this site, and it was sad to see them part ways with us. Without them (Chris in particular), I might have not kept this thing going this far. I love both of those guys dearly, and you can keep up with them at The Monolith, which you should bookmark if you haven’t already. Ya jerk.

Like I’ve said, this year has been busy. I don’t talk about my personal life much here despite the fact that it’s my blog, but what better time to get all personal than a year-end retrospective? As you may have noticed, I’ve been a bit more of a hands-off editor and the scheduling of posts have been a bit less rigid and frequent than they used to be. I’m at the tail end of my college career and I’m currently in and out of internships which have kept me busy and often away from Heavy Blog. Between classes, internships, my “actual” job, and this website, my hands are pretty full. You (and I, for sure) can thank Evan (Juular) for his help with editing since Chris’ departure as well as Damien, Noyan, Gunnar (DeusExMachina), Cody (Tentaclesworth), Spencer (Inhumed), Anthony (Alucard), Greg (Red Bruschetta), Atif (Dr. Killjoy), David (Riptide), Ridge (Deadite), Colin (Momento Mori), and Geoff (Denisovich) for sticking with me and making sure there’s enough content each week and that this site keeps going strong. Also a strong word up to Ben Robson who took over Heavy Blog recently and decided to stick around with us behind the scenes and Chris Collins, our resident photographer. These guys are awesome, and they manage to put a smile on my face every single day.

2013 promises to be even busier with my next internship, impending graduation, and career, but hopefully that doesn’t stop this site from growing and providing daily content that helps to promote and further our favorite genre of music. Thank all of you for sticking with us!

So with all these feels out of the way, here’s what most of you care about, my albums of the year:

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The Algorithm – Polymorphic Code

The Algorithm

Polymorphic Code

01. Handshake
02. Bouncing Dot
03. Trojans
04. Access Denied
05. Logic Bomb
06. Warp Gate Exploit
07. Null
08. Panic

[11/19/12]
[Basick Records]

A palatable crossover between electronic music and metal is hard to come by. Both genres are known for their array of hair-splitting subgenres and elitism among rabid enthusiasts, so when the two worlds clash, it can lead to some very polarizing output. Though, French producer Remi Gallego may have just stumbled upon a suitable combination, juxtaposing trance-inducing synth leads against complex and driving groove and attack with his experimental project The Algorithm.

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It’s hard for electronic artists to call the metal scene home, but The Algorithm (featuring mastermind Remi Gallego and Monuments drummer Mike Malyan) have so far been successful in getting the attention of open-minded metal fans and playing shows with the likes of Chimp Spanner and Uneven Structure. The Algorithm’s debut album Polymorphic Code is due out this month through forward-thinking metal mecca Basick Records, and there’s quite a bit of buzz surrounding its release.

The band have premiered their video for the single ‘Tr0jans’ with our friends at Got-Djent, so go visit the site to see the interesting new performance video. Be sure to check out Polymorphic Code November 9th via Basick Records if you’re open to the idea of metal-influenced electronic music.

- JR

Glitchy Frenchman Remi Gallego’s project The Algorithm signed to Basick Records earlier this year to much surprise. While Gallego’s quirky sort of djent-step sound and electronic-based live act meets the Basick Records M.O. regarding forward thinking and progressive acts, I didn’t expect the burgeoning prog mecca label to sign an electronic artist. It’s a smart move, really. The Algorithm is soaring in popularity and hype in the UK tech metal scene, playing shows with Monuments drummer Mike Malyan alongside bands like Uneven Structure and Chimp Spanner since the signing. The crossover appeal is excellent, and it helps that The Algorithm makes genuinely good music.

So finally, Basick Records and The Algorithm have announced the debut album Polymorphic Code. With album art looking like something from the Muse discography, I’m sure there will be a lot to take in from the record. A music video was pieced together for the album’s first single ‘Access Granted’ from the fairly recent Basick Records Underworld Takeover gig, which you can check out below:

Here’s the tracklist:

1. Handshake
2. Bouncing Dot
3. Trojans
4. Access Granted
5. Logic Bomb
6. Warp Gate Exploit
7. Null
8. Panic
Polymorphic Code will be available November 19th (UK) and November 20th (US) through Basick Records.
- JR

So far, The Omega Experiment‘s eponymous debut album is THE album to beat in 2012. It’s a fantastic display of musicianship that proves you can have a heartfelt and intimate record that is both ridiculously catchy and technically progressive. Truly, The Omega Experiment has been an underground success, riling up the fanbases of bands like Devin Townsend Project and Dream Theater that happen to be in the know. If you haven’t heard this record yet, you’re really missing out.

Four months after it’s February digital release which hit #1 on the Bandcamp charts, The Omega Experiment are finally releasing physical copies with new merch (designed by Uneven Structure‘s Igor Omodei), as seen above. Pre-orders have been available for a few weeks now, but they start shipping tomorrow! Give the record a spin over at bandcamp, and if you like what you hear, consider ordering a physical copy. Those purple shirts are badass, and admit it, your closet could use a little color.

- JR

Uneven Structure are set to embark on a UK headlining tour with support from No Consequence, Broken Torment, and Sentience of Eschaton. You lucky Brits get so much cool stuff, man. Here are the dates:

July 12 – Reading, The Facebar
July 13-15 – Alton, Tech Fest
July 16 – Worcester, Arts Workshop
July 17 – Birmingham, The Actress & Bishop
July 18 – Brighton, The Hydrant
July 19 – London, Upstairs at the Garage
July 20 – Milton Keynes, The Craufurd Arms

Along with the tour announcement came a teaser trailer of sorts, which features a sample of a new song from the band’s sophomore album, which is currently being written.

 

Excellent! Now come to America please. I’ll throw dollar bills at you lovely Frenchmen from the front row if you do.

- JR

Don’t let their ‘djent’ tag on last.fm dissuade you; Stealing Axion are promising up-and-comers in the realm of progressive metal. Sure, their grooving staccato rhythms and guitar tones call back to the great progenitor Meshuggah, but this forward thinking four-piece has enough breadth of sound to appropriately land alongside fellow Washington natives 7 Horns 7 Eyes on the upcoming Dual Destruction tour. Their self-titled (and self-released) EP blew us away in 2010, and with their debut album Moments due out some time this year on Century Media/InsideOut Music, we spoke to guitarist/vocalist Josh DeShazo to speak on their new record and how they’ve been since their breakthrough EP.

So, thanks for taking a moment to answer my questions. I’ll start off gently: who are you, and what do you do?

My name is Josh DeShazo and I’m the singer of Stealing Axion.  Our vocal duties are split up amongst the three members, but I mainly contribute clean vocals to most of the songs as well as a few screams here and there.  I split vocal duties with Daniel Forbrich, who screams and growls on most of our tracks.  We both play guitar in the band with Phil, our bassist, who also sings backup vocals with a few lead pieces here and there.  Other than performance-wise, I focus on lyrics, band business, and a little bit of writing when inspiration strikes.

I remember when we first received contact from you, you were promoting your self-titled EP. How did you find that process and what was the general response?

Our EP marked the dawn of our Facebook career as a band.  We had put out a demo before releasing the EP that was very well received.  I had spammed it all over the web (hahaha) and more specifically on Tesseract‘s webpage, where Acle happened to find it.  He then contacted us about mixing and mastering an EP/album.  When I contacted Heavyblog, our EP was done and we pretty much put it out there in the same vein as the demo.  It had a few more songs and the production was entirely better (on account of Acle doing it.)  People loved it and it spread around insanely fast.  I still to this day can’t believe how many people have heard our EP.  I meet people all the time in the weirdest places who have heard it and love songs off of it.  It’s an awesome feeling, considering it’s been around for quite a while now.

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The week before last, the lovely Basick Records held a showcase in London featuring their flagship artists of the now, The Algorithm, Uneven Structure, and Chimp Spanner. For those of us who were stuck on another continent, Basick Records and videographers Digital Fufux know our pain and have teamed up to make The Algorithm’s live show featuring Monuments drummer Mike Malyan available in full in glorious multi-camera footage. You can the brilliant live set above.

Some people out there were puzzled as to how an electronic artist can hold his own in a metal environment. This pairing of Mike and Remi is a great one, and they both carry enough energy and enthusiasm in the performance to really sell the idea to a room of cross-armed metal heads. It also helps that The Algorithm dabbles in metal influences and is progressive enough to appeal to a wider audience. Seriously, they knocked this performance out of the park and really proves that a respectable live show can exist with a guy, a laptop, and mixing tools. Hopefully these two musicians team up again in the future.

The Algorithm’s label debut is tentatively set to be out by the end of the year. In the meantime, you can check out his new single ‘Tr0jans’ on Bandcamp.

- JR

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