Thomas Giles – Don’t Touch The Outside

Don’t Touch The Outside, Between the Buried and Me frontman Tommy Rogers’ fourth proper full-length under the moniker Thomas Giles, takes the retrowave and electronic influences on previous outing Velcro Kid (2016) and imbues those new wave vibes with some of the wilder experimentation and genre diversity which made Pulse (2011) and Modern Noise (2014) so incredible.

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Manes – Slow Motion Death Sequence

Hidden histories are a tricky thing. On one hand, they’re everywhere, untold stories bubbling beneath the surface of clean, accepted narratives. They’re also fascinating in their obscurity, inviting a host of retellings, rediscoveries and the create of new, even cleaner, more “accurate”, meta-narratives. On the other hand however, they tend…

The Anatomy Of – Ancestors

I can’t rightfully convey to you how excited I am to be running this post; Ancestors are one of my all time favorite bands. And boy did Ancestors deliver; their upcoming Suspended in Reflections is amazing. But we’ll take more about that album later, since my review is going live today. While you wait for that, we have a very special and unique The Anatomy Of post for you. It happens to feature one of my other all time favorite albums and a bunch of other amazing picks straight from the mouth of Justin Maranga, the guitarist and vocalist for the band (one of them, at least). So head on over to the jump to get acquainted with what makes one of the best progressive doom bands tick and, for the love of god, listen to Ancestors.

Half-Life – Napalm Death, Pt. 1

There are very few bands in extreme metal that can be rightly considered significant influencers in the formation and development of multiple subgenres. Napalm Death are one of them. From their inception in Birmingham, England in 1981 through their most recent full-length output in 2015, the band have explored the…

The Anatomy Of: Winterfylleth

In case you missed it, Manchester’s premier atmospheric/pagan black metal act Winterfylleth released their sixth album The Hallowing of Heirdom last week, April 6th, 2018, through Spinefarm and Candlelight. Since their inception, the act’s atmospheric black metal sound has been espoused with majestic neofolk which made them a band to…

Carpenter Brut – Leather Teeth

Those who can adapt are the quintessential hero, rising above the challenges to stay supreme and powerful. In the menagerie of synth and retrowave we have access to these days, who better to embody the figure of the 80’s hero, shirt torn and muddied, face filled with cuts but eyes still burning with passion, with dedication for the fight, than Carpenter Brut? He is the demon of the night, wielding dirty synth tones and killer beats in a constant effort to keep the listeners of the genre fixed on his sounds, a constant effort to defeat the staleness that creeps at the edges of the genre. And so he did with 2015’s Trilogy, a fresh and excellent take on the milieu of synth, retro and even dark wave. But can he keep adapting? As the villain of mediocrity and repetition rears itself constantly above the Neo-Tokyo that is the electronic genres today, will Carpenter Brut rise to the challenge and attack with a new approach or stick to his guns and begin fading away?