Heavy Pod Is Heavy Cast!
Shockingly, this week we discuss industry news and music news. The Lion’s Daughter on Pornhub, the Manowar guitarist getting arrested for actual CP, posthumous Static-X material, Kat leaving Agoraphobic Nosebleed, Souncloud’s new artist deal program, Matt Heafy dropping out of the Trivium tour, and new music by Interloper, Soilwork, and Wormed. Then cool people time! Enjoy!
I’m extremely proud of this episode title, honestly. Anyway, this week we’re discussing a bunch of stuff. Machine Head falling apart, Sigh collaborating with an unsavory character, Spotify wanting your DNA, Siriusm XM wanting Pandora (and Eden wanting Sirius XM’s CEO, apparently), new stuff by Unearth, Promethean, Darkaeon, Abstract Void, “Germany’s Latest Black Metal Rapper” Grafi (thanks Axl), and the 10th anniversary of what is objectively the greatest album of all time, Trivium’s Shogun. Then, cool people time with Cultist Simulator, Maniac, and Mandy (both of those previous titles would apply to Mandy as well, by the way). Enjoy!
Welcome to Connecting the Dots, the column where we give a brief rundown on a central band along with a host of other projects their members, both past and present, have been involved in. Today we’ll be focusing on progressive sludge powerhouse Mastodon and the myriad of projects they’ve been involved with.
Heavy Pod Is Heavy Cast! A bunch of good stuff this week! And some not so good stuff. So pretty usual. New
It hasn’t been too long since we told you about Turin’s Ultra-Violence, a band approaching thrash metal from a clever and convincing perspective. The secret to the formula was injecting it with plenty of heavy metal influences, found on emotional outros, killer bass lines and larger than life choruses. Seeing as the band hail from what we’d consider a “musical periphery” and don’t exactly conform to many of the habits of the more mainstream and settled scenes of metal, digging into their influences presented us with a tantalizing opportunity. And thus, we are proud to present to you today a host of interesting picks from Loris Castiglia (vocals/guitars).
This week on Heavy Pod Is Heavy Castm we bring even more extra salt. The news is ripe for it! Well, we also talk about new music and stuff. More of Matt (Trivium) streaming, Trivium’s new live video, and Paolo beefing with Phil Labonte of All That Remains. Then, Chris Barnes of Six Feet Under peddling right wing conspiracy theories. Within the Ruins changing vocalists. But also new music from Dimmu Borgir, Ihsahn, Barren Earth, Rivers of Nihil (love the album!), and Sectioned. Afterwards, we do an extensive segment on the movie adaptation of the Jeff Vandermeer noverl Annihilation, and Eden goes deep. Enjoy!
Trivium are a band in a unique position. They exploded onto the scene very early on, accruing a lot of fans and haters simultaneously. After putting out an album that helped define a generation, they stepped back from the spotlight a bit, but their most interesting material actually came out…
The five years that have passed since the release of Ænigma (2013) likely mean that the window of opportunity for In Vain and their phenomenal third outing to become anything more than curious blips on the progressive metal radar. Had the band come back in full force following that most…
Unfortunately I don’t have a fun or a dab-inducing dank reference for the episode title this time. Just a regular old episode. We discuss new music. Mike Shinoda’s EP, Justin Timberlake’s album, Cyclamen’s new album, Misery Index’s single, Judas Priest’s new song, yndi halda’s EP, and August Burns Red’s Messengers Remixed. We also talk about Matt Heavy from Trivium streaming his practice and gaming sessions, and how Best Buy and Target are trying to get rid of CDs. Devin Townsend is quitting DTP, and we discovered this Metallica show that was filmed in Antarctica. Finally, cool people time. The new Netflix cyberpunk show Altered Carbon is amazing. Also Celeste and Subnautica are cool games.
Enter Trigger, a young band hailing from Australia, the land of too much sun and great metal. Cryogenesis, released way back when in July of 2017, is chock full of the blurring of the lines between thrash and power that we referenced in the opening paragraph. I pounced on this album once realizing it wasn’t just a power metal album with impressive hooks in tow but also a science fiction conceptual epic. Under eventual and multiple listens, it quickly became apparent that Cryogenesis was a good album and an impressive effort for a second release but also an album which exemplifies many of the pitfalls of its sub-genre. At its core, Cryogenesis is motivated by big choruses and fast riffing but suffers from a muddled middle section, leaving the listener yearning for more.