The Anatomy Of – Netherlands

Honestly, I knew I was in for a wild ride when I asked Netherlands to write this post for us. If you’re still unaware of these guys, let me introduce you: they’re from Brooklyn. They make a kind of poppy sludge that takes Torche and feeds it through a grinder, belching it out some sort of neon pink, noxious and incredibly groovy weirdness from the other side. They’re also don’t take themselves too seriously, infusing plenty of their music and its surrounding aesthetics with lots of self-deprecating and society-deprecating humor. Oh, and they’re also incredibly hard-working, having released an album and an EP in the last two years and now gearing up for Black Gaia, which comes out on the 24th of August and a tour with none other than legends Mastodon and Dinosaur Jr. You can head on over to their site for dates and a pre-order thing.

ASG – Survive Sunrise

Scenes are a funny thing, right? They’re basically just another form of narrative, an attempt by human brains to quench their hunger for patterns. Reality is often a lot more complicated but narratives (with scenes among them) give us a pretty little diagram that we can refer to when trying…

EXCLUSIVE PREMIERE: Tap Into Public Policy’s Human Resource

Almost three years ago, we clued you in to a band called A Troop of Echoes, trading in the a noisy kind of post rock that was immediately appealing and engaging. Now, we’re back with news from members of that ensemble and another project of theirs, namely Public Policy. This time around, the lads have turned up the noise rock influences, added in a dash of early Foo Fighters vibe, a vocalist and plenty of fuzzy and produced Human Resource, a bouncy and raucous album. It explores the spaces between pop sludge, noise and post-hardcore to an admirable degree, never forgetting to set its sights on approachable and enjoyable music. We’re streaming it in full just below so get on it!

Glassjaw – Material Control

Glassjaw has never really died. They’re like a phoenix, if said mythical flaming bird also suffered from an incredibly hectic demeanor and a haphazard attitude towards its own existence. Ever since kicking off the underground music scene of the early 00’s, Glassjaw continued to treat their career and musical progression like they did their by-now legendary live shows. Arms flailing, music appearing and then disappearing for undefined periods of time, submerged in the rumors of hiatus and demise only to resurface from time to time with a voice of thunder, Glassjaw has spent the last fifteen years basically being a nightmare for all but the most die hard of fans. But to be honest with you, it was worth it. It was worth having that name in the periphery of the scene but also, somehow, at its center, waiting for a reconciliation, for Glassjaw and the rumor of Glassjaw. It was worth it because, at the end of the process, we got Material Control.

FULL ALBUM STREAM: Launch on a Psychedelic Journey from Mother Engine’s Hangar

The “jam” is one of those musical devices that walks a delicately drawn fine line. On one side are classics like Can’s “Halleluwah” or The Velvet Underground’s “Sister Ray,” both of which are defined by an embrace of improvisation, interplay and gradual evolution that keep the song fresh throughout a roughly 20-minute run time. But on the other side, you have endless journeys of gratuitous musical masturbation that create a significant imbalance of enjoyment between the players and their audience. Walking this line is obviously difficult; though defined by higher tier musicianship, an effective jam band can’t venerate their abilities as musicians at the expense of songcraft, particularly in terms of defining the genres and styles from which the extended composition is being drawn out of. All of this makes it that much more impressive that Mother Engine have not only mastered the “jam” formula, but excelled at replicating that equation fourfold on their third full-length outing Hangar, which we’re stoked to be able to premiere for you in full.

What Heavy Blog Is Really Listening To – 7/25/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Hey! Listen to Fashion Week!

Is there anything quite like noise rock? The way my windows are vibrating right now says no; something about the merge of super fuzzy guitars, a huge groove section and melodious singing hits just right, setting our hearts aflame. Torche, KEN mode, Floor and their ilk have all brought melody creeping more and more into this genre. However, I’m here today to talk about neither of those. Rather, allow me to present you with the more wide eyed, hair askew, irreverent partner in crime of the above, Fashion Week. Fresh off of their 2017 release, So Last Season, Fashion Week are set to kindle a spark in your eyes with their high-octane and somewhat heavier take on melody, fuzz, aggression and messaging.