134 – Getting Stale

I promise this episode title isn’t about the podcast itself. I think this is one of the better episodes in a while, in fact! We discuss a bunch of new music, including Krisiun, Epica, Born of Osiris, Anaal Nathrakh, Daron Malakian and Scars on Broadway, and Erra. Then some happenings, like Kvelertak getting a new vocalist, Matt Tuck of Bullet For My Valentine and his terrible hot take, The Ocean (not to be confused with Oceano, Eden) working on a double album, Eden’s Alkaloid prognotes, and me meeting a fellow metal musician and discovering his awesome band Cartilage. Along the ride, we discuss how modern production is ruining death metal (I promise it’s not “old man yells at clouds”), the DC cinematic universe, and more. Also, we do cool people time with Enter the Gungeon and Middle Earth: Shadow of War DLC, and me waxing poetic about puzzle games, including The Spectrum Retreat, (The) Portal 1/2, The Talos Principle, The Witness, The Swapper and more. Enjoy!

Vexes – Ancient Geometry

In what circumstances does a new band’s direct unabashed influence from a well known active band make those newcomers derivative, redundant, and irrelevant? International prog supergroup Soen, for instance, gets a pass at their obvious take on Tool because of Tool’s inactivity over the last decade; at this point, it’s…

MMXVIII – Pelagic Record’s Fantastic Year And The Depths Yet To Come

We’ve had our eyes on Pelagic Records ever since the label was started around the post metal powerhouse that is The Ocean. Their mission seems to be the quality release of anything hovering around the post metal and rock monikers, extending their fingers into dark folk, electronic beats and more. While Pelagic has been doing great things over the years since their founding, 2017 seems to have been a true watershed for them. From stellar releases (with names like Lo!, Labirinto, LLNN, pg.lost and many more) to new signings (like Ancestors, one of my favorite doom bands of all time), Pelagic has been all over the map of the metal community. Nothing drives home their upwards momentum more than a compilation they themselves have released, in conjunction with Visions Magazine.

What Heavy Blog Is Really Listening To – 9/29/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Clipping. Go Deep On Afrofuturism With New Track

Hello, it is I, the resident science fiction nerd for Heavy Blog (there are actually two of us now that Joshua has joined our ranks). A year or so ago, I covered Clipping.’s phenomenal Splendor & Misery, dissecting its themes and lyrics. In the process, I tried to give an overview of “afrofuturism”, a media spanning genre which uses science fiction and futurist thought to conceive of racially radical ideas and propose a counterpoint to what is often a white dominated genre. As I wanted to keep the posts from getting insanely long (they were already really long), I could only touch upon afrofuturism briefly and, seeing as that’s my medium of choice, I focused on its presence in literature. How good of Clipping. themselves then to help me shed light on less known but not less important instances of the movement/genre/way of thought.