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Anathema – Distant Satellites


Truly great albums are more than the sum of their parts. A good rule of thumb for an album that will last beyond a few months is that uneasy feeling that rises when someone asks you exactly what you like about it. If you can quantify it into this song or that riff, it’s probably going to wear out its welcome pretty soon. Anathema‘s last album, Weather Systems, was exactly that: a piece of art that breathes and lives on its own, detached from any one track or sound. With Distant Satellites, one of the key bands in the movement from doom/black towards electronic music and pop show us that such transitions hold within them the power to elevate an album from a collection of songs towards something greater: yet another earnest step in the illustrious career of this veteran band.

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mikael akerfeldt

To call the new Opeth album “highly anticipated” is a bit of an exercise in tedium, because every single Opeth album in the history of ever is a big deal. However, this particular next chapter is a big deal for Opeth; their last record Heritage was controversial among fans; sure it was an homage to proto-metal and prog rock, but it saw Opeth lose their identity as a death metal act.

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Anathema‘s journey has been a long and arduous one. From doom metal through a dreary and emotional art rock metamorphosis, Anathema emerged with one of 2012’s best albums, Weather SystemsA few months ago they also released a brilliant live show called Universal, featuring magnificent renditions of songs from all eras. The band was definitely building momentum but fans have been eager for a follow up to what was a mind blowing release.

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Some of you may know me as one of the photographers for Heavy Blog. I shoot shows in Philadelphia, NYC, and occasionally other places. Due to the thriving scenes on the east coast, almost every band I want to see tours around me. As I shot over 100 shows this year, I was exposed to a lot of different music. My opinion of a band’s music on an album changes for better or for worse when I see a band live. As this is the case, my top 20 list only consists of bands I did not see this year.

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2013 was a difficult year for me musically. Choosing ten albums that stuck with me, meant something to me, was not an easy task. No other year in my memory did I spend more time listening to albums from years past than albums from the current year. There were, however, many albums I did enjoy. Every album I gave a positive review was worth quite a few listens. My biggest problem this year was the mass amounts of hype surrounding certain albums, a few of which I really wanted to enjoy. Album’s like The Ocean‘s Pelagial started off strong enough but fizzled around the halfway mark. So, here are ten albums, and some honorable mentions, that provided me with entertainment, inspiration, and some great drives.

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black-sabbath-13Black Sabbath


01. End Of The Beginning
02. God Is Dead?
03. Loner
04. Zeitgeist
05. Age Of Reason
06. Live Forever
07. Damaged Soul
08. Dear Father


DISCLAIMER: This track by track review was written as a one time run through listen of the new album at the exclusive listening event in L.A.. This is not definitive nor refined. A more cohesive review of the album will be released when it is available.

Now that we have that out of the way, let us explore this sensational piece of heavy metal history. 13 is the first new Black Sabbath  album since 1995’s Forbidden, the first with Ozzy Osbourne since 1978’s Never Say Die!, and the first with Geezer Butler since 1994’s Cross Purposes. In the current age where comebacks have been a growing trend, few others have me more excited than the return of Black Sabbath with Ozzy on vocals (though it’s sad that Bill Ward will not be on the album, who was replaced by Rage Against The Machine/ex-Audioslave drummer Brad Wilk). With so much controversy and disagreements conflicting their highly publicized reunion that was shown last year, things were put off to a point where it seemed like things might never work out. Thankfully, they did.

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If you didn’t know already, Steven Wilson of Porcupine Tree‘s latest solo release The Raven That Refused To Sing is incredible — a sprawling, expansive journey through every dark nook and cranny that makes prog rock so varied and interesting. It’s a testament to just how good a songwriter Wilson really is that he can so seamlessly weave together so many different approaches to the word ‘prog’ and cause, say, Emerson, Lake And Palmer and Rush to sit comfortably next Opeth and The Mars Volta.

The finale to the album, ‘The Raven That Refused To Sing‘, is just one aspect of that — alongside the dark and sombre visuals, swells of strings and piano meet Wilson’s croon in one of the most beautiful and emotive pieces you’ll hear all year. It’s a story that will tug at your heart strings. So while you’re clearing the manly tears from your ears and trying to come up with as excuse as to why you were weeping all over your laptop, maybe think about getting the Kleenex in before this drops on the 25th of February through KScope Records.

[via The Monolith]

- DL

Gather ’round kids! It’s time I told you about the new Steven Wilson album entitled The Raven That Refused to Sing (And Other Stories).

Once upon a time there was a brilliant musician named Steven Wilson, who announced his new solo album due out on February 25th via KScope Records. Steven didn’t want this to be any ordinary record, so he recruited the likes of Guthrie Govan for magical lead guitar duties, Nick Beggs to hold down the lowdown on bass guitar, Marco Minnemann to create confusing percussive landscapes on drums, Adam Holzman to add the details on keyboards, and Theo Travis to serenade you to sleep saxophone and flute. This was all topped off by  legendary producer and engineer Alan Parsons, who engineered the album. “Where have we heard about this line-up before,” you might ask yourself among all the excitement!

It’s the live line-up. Are you dense? Anyway, check this track list out!

1.  Luminol (12.10)
2.  Drive Home (7.37)
3.  The Holy Drinker (10.13)
4.  The Pin Drop (5.03)
5.  The Watchmaker (11.43)
6.  The Raven that Refused to Sing (7.57)

Now everyone say it with me… ready? FUCK YES, LUMINOL! I’ve been absolutely in love with this song since the live album and may have killed it into by listening to it every day on my way to work. Maybe. I know the track times might scare off some people, but remember who we’re talking about here.

The man knows how to keep it interesting.

– GK

Porcupine Tree On Hold

Porcupine Tree is easily one of my favorite bands. Their evolution from trippy space-prog to prog-metal over the past twenty years is nothing short of the workings of a musical mastermind Steven Wilson, and The Incident was a personal favorite of mine from 2009, both musically and in concept. Anyone who follows the band know that Wilson also has a flourishing solo career, and released Grace For Drowning earlier this year to widespread praise, myself included. However, as for Porcupine Tree, the day isn’t as bright.

Wilson has stated that it is on hold for the time being. Originally expected to record their new album and possibly even release it this year, Wilson has said otherwise. According to him, the biggest priority for him is his solo career, he is sick of metal, and he doesn’t know what direction Porcupine Tree will take next. Considering they went from Pink Floyd-inspired stuff to being the inspiration themselves, I’m interested to see where they go next.

“The honest answer is I don’t know. The solo career for me now is probably the most important. I think about it more than anything else, I’m more focussed on it than anything else, I enjoy it more than anything else and I’m brimming over with ideas. Whereas with Porcupine Tree, I’m not quite sure what to do with the band next. We’ve made 10 albums over a period of almost 20 years. The problem is, when you establish such a strong brand or trademark, and you spend years building it up, people expect you to become a machine, endlessly putting out an album, then touring. I promised myself many years ago that I would never ever allow myself to let this become a job. For me, it’s still about being very selfish and doing what I want to do. I know I’ve been fortunate that there seems to be enough people out there who respect me enough and still want to listen to whatever I do. Right now all my thoughts and energies are wrapped up in the excitement and the buzz I’m getting from the solo work.”

You can read the full interview here. Details as they come, per normalcy.

[via Rolling Stone India]


So the prog nerd dream team collaboration of Mikael Akerfeldt (Opeth) and Steven Wilson (Porcupine Tree) was pushed back to May, but to compensate, Roadrunner released all sorts of details about the release, including the cover art (above) and tracklist, which is as follows:

01. Drag Ropes (9:52)
02. Storm Corrosion (10:12)
03. Hag (6:28)
04. Happy (4:53)
05. Lock Howl (6:09)
06. Ljudet Innan (10:20)

Also accompanying the press release is a trade-off of quotes between Mike and Steve (sounds like a radio DJ duo, doesn’t it?) that describes the album. Check it out:

The sound of STORM CORROSION can best be described as enchanting, orchestral, ambient, epic (half the album’s tracks clock in around the 10-minute mark) and nothing short of surprising to the new ear. However, the musicians’ respective fanbases will be primed to appreciate the new output, with Wilson’s recent solo album, “Grace For Drowning”, and OPETH’s “Heritage” having brought them to a logical place to understand STORM CORROSION. This eponymous collection is almost viewed as one side of a musical triangle.

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