Welcome to our first installment of Kvlt Kolvmn in the Year of Our Dark Lord 2018! We’ve missed you. Let’s talk about black metal. 2017 was not a watershed year for the subgenre like it was for death metal. While there were a number of quality releases throughout the year…
Our staff has shifted quite a bit since we posted our first aggregate AOTY list back in 2014. From refocusing our content to implementing The Brooklyn Plan™ to publishing our 2017 AOTY list, our roster of contributors has fluctuated substantially in terms of numbers and genre preferences. This ebb and flow…
Editor’s note: Yes, it’s that time of the year again! While our own Album of the Year list is already published by the time you read this, we still have a ton of end of year content for you. Over the coming week, we’ll be exploring 2017 in various of ways: through curated summaries for specific genres, editorials on specific phenomena we found interesting and, of course, guest lists! This time around, we have a band who’s name should by synonymous with metal’s success in 2017: Artificial Brain. Infrared Horizon, their album from this year, is top of the crop in the extremely busy and prolific technical death metal field. With all the releases coming from the sub-genre this year, Artificial Brain still managed to prove they’re a cut above the rest, providing an aggressive, abrasive and yet strangely captivating science fiction masterpiece.
Their list makes a lot of sense, in that regard. It’s chock full of overwhelming and abrasive metal from bands like Aosoth, Thantifaxath and Dying Fetus. But it also includes more beguiling and subtle choices, like Circle or the avant-garde trappings of Fleurety. Thus, you’ll just have to check it out for yourself and see what’s what for Arti-B in 2017!
Welcome to the latest installment of Kvlt Kolvmn! Another amazing month, another installment attempting to capture it all. Our apologies for most assuredly failing in this regard. Nevertheless, a fairly large amount of black metal blasted through our ear holes since our last installment, and we are here to share our favorites with you. Believe you me, there were some good ones.
Welcome back to Kvlt Kolvmn! Another month, another insane amount of premium black metal. For the second month in a row, Scott is back in the saddle, churning out sterling recommendation after sterling recommendation. Hell is most pleased with his offerings, and all is again right in the black metal world. In a similar fashion to death metal releases in July, I was skeptical regarding how many quality albums we would hear this month. Let’s be real: July is relatively awful for new releases across all genres of music, but can be especially brutal for metal. On most fronts, July 2017 proved me wrong by unleashing upon us some excellent black metal records that are not only worthy of a solid listen, but are some of the most accomplished to be released this year. Scott and I are happy to share these records with you, and hope you enjoy them as much as we did. So, without further adieu, into the ninth circle we go.
Some things just go really well together. Ham and cheese. Cookies and milk. Frodo and Samwise. Alcohol and an unusually horrible following morning. The metal world, intent on constantly reinventing and expanding itself, tends to mix differing sounds into new amalgamations of metal mayhem in hopes of finding similarly delightful pairings. Some of these ventures are more successful (Full of Hell and Merzbow) than others (here’s looking at you, Metallica and Lou Reed). But few things pair as well in the metal world as black and death metal. All the key ingredients for hate-filled success are there: unparalleled intensity, blast beats, tremolo insanity, thematic cohesion, and harsh, unrelenting vocal deliveries. With all of these commonalities between the two metal subgenres, you’d think that their fusion would be relatively easy to pull off. Based on a lot of recent death metal releases that incorporate black metal into their sound, however, it would seem that this isn’t always the case or even the norm. Outside of the success of bands such as Behemoth, there are surprisingly few examples of blackened death metal seeping deeply into metal culture. Excommunion is here to change that with their fierce new record, Thronosis.
Man, 2017, y’all. We realize that it’s kind of our m.o. to be proponents of the whole “Golden Age of Metal” narrative and be incredibly positive about the consistently great level of stuff that is being put out from pretty much every part of the musical spectrum, but it’s such an easy thing to do when we are so constantly bombarded with new material that utterly consumes our attention. Even in months where one of us might not have as many new albums that really impressed them, without doubt there will be another one who could barely keep up because of all the superb releases from genres they pay close attention to. This April has certainly been no different in that regard, and we have a whole slew of top-notch albums to recommend to you all.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
“And when the thousand years are expired, Satan shall be loosed out of his prison, and shall go out to deceive the nations which are in the four corners of the earth … to gather them together for battle; the number of whom is as the sand of the sea.”…
In some circles, USBM has long been a dirty acronym. Much reviled for its less-than-trve-kvlt aesthetic, black metal originating from the United States has seldom been considered an equal with its European peers. Over the past decade, several bands have begun to chink away at the wall of cynicism surrounding USBM to varying degrees of success. Nightbringer is one of these bands. If you have not heard their music before, think the bombast of Anthems to the Welkin at Dusk-era Emperor, coupled with a slightly less insane mix of Deathspell Omega’s freneticism, the sonic oddness of Dodheimsgard, and the chilling atmosphere of Blut Aus Nord.