Best Of 1988

Ah, the good old days! When we were all shining golden gods and the name of metal struck fear into the hearts of parents everywhere! Not only is this post about those good ol’ days, but we’re also looking at the specific part in them where metal really started taking off in…

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Nothing – Dance on the Blacktop

No matter the genre, songwriters, instruments, or lyrics, music can overwhelm the emotions and senses. It can soothe and enlighten or bring one to tears by relating a similar sadness. But usually, music isn’t specifically written to do that. Or more accurately, designed and built to relay a complete sensual…

Kvlt Kolvmn // February 2018

Welcome to Kvlt Kolvmn, “Is This Even Black Metal?!” Edition. We hope you’ve had a frosty, satan-blessed month. But, I mean, let’s be real. Such exclamations are couched in the traditional, stereotypical norms of a community that has built and staked its reputation on an allegiance to popularly assumed constructs…

Glaare – To Deaf and Day

If depression had an official soundtrack, there’s no question it’d be exclusively comprised of songs from post-punk’s family tree. The genre’s swirl of reverb, haunting bass lines and drab, lifeless vocals capture the essence of endlessly staring out the window of a dimly lit room on a rainy day, every…

Hey! Listen to Isaurian!

Metal newbies would have you think metal just started borrowing from shoegaze’s sounds a few years ago. While Deafhaven popularized the fusion in 2013, the genres have been bedfellows for quite a while. Jesu, as far back as 2004, brought the psychedelics of shoegaze together with abrasive industrial metal, a juxtaposition rarely touched upon by newer metalgaze bands who usually gravitate toward aesthetics of black metal and sludge metal. Brazil’s Isaurian brings a new vibe to industrial shoegaze metal (that’s a mouthful). Where Jesu went ugly and violent, Isaurian dials it back to a gothic melodicism.

Half-Life: Pallbearer

Here on Half-Life, we go through a band’s discography and see where they stand today compared to where they started. Pallbearer is one of metal’s rising stars and their progression has been so fun to watch. Every record has its own identity and set of surprises. To take on this project, I enlisted the assistance of my talented colleagues, Jordan Jerabek and Bill Fetty. We hope you enjoy!

Hello, This Is a Play By Play Rebuttal Of David Hall’s Terrible Article And Also A Rebuttal to A Rebuttal by Clrvynt’s Editor And Some Thoughts About The Metal Community

Let’s state facts: Clrvynt’s preface to “The Director of ‘Maryland Deathfest: The Movie’:’Metal is the Fucking Worst'” (this is literally how the post’s title was formatted by the way, I didn’t change it) is bullshit. Running an article filled with borderline/not-really-borderline-at-all misogyny, homophobia, and very palpable hatred for a huge swath of the community you’re part of is a terrible thing to do. However, if you’ve already decided to do that, don’t cop out by writing a six-line preface nominally denouncing the opinions contained therein. At least own the fact that you’re giving shitty opinions a stage and have some honesty.