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Tag Archive: Mitochondrion


Portal – Vexovoid

Portal-Vexovoid Portal

Vexovoid

 

01. Kilter
02. The Back Wards
03. Curtain
04. Plasm
05. Awryeon
06. Orbmorphia
07. Oblotten

[02/19/13]
[Profound Lore Records]

To call the music of Portal an ‘acquired taste’ would be, to put it lightly, a fucking understatement. It’s a horrific, twisted abomination that derives far too much enjoyment from taking the known genre definitions of black and death metal and turning them inside out, exposing their darkest recesses and making the devil’s music sound truly sinister once again.

Vexovoid is much the same. The latest outing from the band finds them building on their career defining step taken with Swarth back in 2009, that shoved their music into the faces of the general metal populace — those that were fortunate/unfortunate enough to witness that monstrosity will find themselves at home in the cavernous walls of Vexovoid, but at times, something even stranger begins to occur; you’ll find yourself asking, ‘was that a riff?’

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You know it’s been a good year for music when:

  • a) your first draft for the ‘Top 20 For 2011′ initially contains more than twice the required amount and took 5 revised versions to get right
  • b) you have to miss out on records from some great artists like Fuck The Facts, Pathology, Amon Amath, Autopsy and Hate Eternal due to the sheer volume of great records released
I could easily eat months into 2012 just catching up on those records and the countless other recommendations around the web but I’d much rather bite the bullet and start with a clean slate. So here it is, needless to say I will have probably changed my mind by the time this is posted, but as of the 22th of December this is the best I can do.

Dragged Into Sunlight

Hatred For Mankind

 

01. Boiled Angel/Buried With Leeches
02. Volcanic Birth
03. To Hieron
04. Lashed To The Grinder And Stoned To Death
05. I, Aurora
06. Totem Of Skulls

[01/18/11]
[Prosthetic Records]

It’s November the 11th, 2011. It’s around 5pm and I’m at Damnation Festival, killing time inbetween bands. I’m drunk. Naturally.

And then the in-house music shuts off and the lights go down. The smoke machines begin to work overtime, pushing out gallon upon gallon of dry ice into the already cloudy room. Where there was only murmurs , an intro-tape suddenly lurches into life with a dry vinyl hiss and mechanical screeching jostling for space. I’ve never before seen such a large group of people snap into such a relentless concentration but all eyes are fixed expectantly on the cloudy haze that was once a stage.

At this point the only thing separating this from some kind of psychological torture scenario is the few sources of light emanating from the candles on stage. The buzzing and hissing becomes more violent. A metronomic low pulse pushes to the forefront, testing the ear drums of everyone present. Minutes go by whilst the endless aural abuse continues before suddenly 4 silhouettes make their way onto the stage and face away from the crowd.

It pleases me to serve you

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Ulcerate – The Destroyers Of All

Ulcerate

The Destroyers of All

01. Burning Skies
02. Dead Oceans
03. Cold Becoming
04. Beneath
05. The Hollow Idols
06. Omens
07. The Destroyers of All

[01/25/11]
[Willowtip]

Woah, what am I doing reviewing a record that not only came out at the beginning of the year, but we once reviewed already? Well, with their recent signing to Relapse Records bringing Ulcerate back into my field of view and my discontent with the negative (yet valid!) score they received, I felt compelled to give their most recent album The Destroyers Of All a shake from my side of the aisle. If you’ve never heard of these New Zealanders before, their sound is characterized by creeping dissonant guitar lines and blistering fast and technical drumming. It’s all absolute chaos that challenges the status quo of not only in the realm of death metal, but progressive metal and sludge as well. Hell, I even raised the question earlier this year about their categorization as “Post-Death Metal.” Sound interesting enough? It should.

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In this modern age of music, it seems that new sub-genres and tags are being created by the week to match a somewhat constant push towards innovation. Much to the chagrin of elitists and the conservative-minded that are, for some reason or another, afraid and enraged by evolving sounds. Every time a new buzzword of a genre is created, you have a flock of early adapters as well as an army of nay-sayers that scoff at passing trends. I saw it happen with nu-metal in the 90s, metalcore back in the early 2000′s, deathcore in its rise, and with the current state of the djent scene. We at Heavy Blog have always sort of held a magnifying glass at emerging trends and gave it its fair shake, and more often than not we like to roll with where the tides carry us (save for that whole crabcore and autotuned crap, of course).

So yes, I tend to pick up on fringe movements. From Sumeriancore to Post-Black Metal, I just enjoy hearing fresh ideas. Some call that trend-hopping, and I can sort of see where these people are getting at, but that’s not it at all. I sincerely dig hearing and partaking in what could very well be the next wave of metal. I just don’t enjoy sticking to just a handful of genres, and I certainly don’t intend on staying that way for the rest of my life. Music and music taste, ideally, is constantly evolving. I mean, I intend to be a listener of more extreme and underground genres when I’m, say, 50, but I’ll probably be following whatever sort of futuristic concoction happens to be going strong, and not clinging to djent and progressive metal for dear life and ramble about how “kids these days don’t understand the magic that was djent!” while shaking my fists in anger at kids who happen to be getting a little to close to my lawn.

These so-called ridiculous subgenres are seriously interesting to me, and over the past year or so, my attention has slowly been turning towards something I’m going to call “Post-Death Metal.” I can hear the anger emanating from within the elite hivemind right now at the mere mention of it. Most readers of HBIH are pretty open minded, and this isn’t so much about you regular readers, but there are some people out there that still deny that Post-Metal isn’t a genre. Seriously?! But back on point, Post-Death Metal is slowly emerging from the murky depths of metal, and in a year or so, it might just be commonplace. It’s so new and there’s so few bands doing it right now that the genre is sort of like an amorphous blob that hasn’t really been fully taken shape or even defined, from what I can gather. Today, I’m going to make an argument for its existence, and offer up a few qualifiers.

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Mitochondrion – Parasignosis

Mitochondrian

Parasignosis

01. Plague Evockation (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part I)
02. Lex Ego Exitium (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part II)
03. Tetravirulence (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part III)
04. Trials
05. Rift Apex
06. Parasignosis
07. Banishment (Undecaphosphoric)
08. Kathenotheism
09. Untitled
10. Untitled
11. Ambient Outro

[01/18/2011]
[Profound Lore]

Mitochondrion aren’t a band I’m entirely familiar with, having only one previous album, but I do remember their name being mentioned in association with bands like Portal, Deathspell Omega and Ulcerate. So I went into listening to Parasignosis with those pre-conceptions in mind, however what I came across is something far less defined and more nebulous, but at the same time this album is as natural as it is unnatural.

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