Meshuggah fans were offered their first glimpse into the band’s upcoming Blu-ray/DVD release, The Ophidian Trek, yesterday, when Drummer Magazine premiered the live performance video for ‘Do Not Look Down’. The Ophidian Trek, as well as a remastered version of the band’s 2004 album I, come as a celebration of the band’s twenty-fifth anniversary, and will be available in North America on September 30 via Nuclear Blast Records. Check out the video after the jump!
Tag Archive: Meshuggah
Some feared it would never happen, but it has: He Is Legend has returned. Back in September of 2009, the band went on what they called an “indefinite hiatus”, a strange move considering just two months earlier, the band released the totally different, but absolutely, positively brilliant It Hates You, an album which has since become treasured by both internet metal nerds and famous metal musicians alike, including Robb Flynn of Machine Head. It Hates You was an album that was nearly impossible to categorize; it was something of a cross between Deftones and Alice In Chains with southern-tinged Meshuggah elements and psychedelic stoner-sludge metal sensibilities thrown in here and there, and even these descriptions don’t even come close to doing it justice. It Hates You was a beast of an album all it’s own; it was a total departure from it’s southern metal predecessor, Suck Out The Poison, and complete one-eighty from He Is Legend’s first full-length album I Am Hollywood, which showed their humble beginnings as something closer to a metalcore or post-hardcore band.
Now, five years later, equipped with a new drummer and a refreshed vigor, He Is Legend have stampeded back onto the scene with Heavy Fruit, an album that’s every bit as different, and every bit as fantastic, as everything they’ve ever released.
With the proliferation of music via the Internet, it’s doubtful that the classification of genres as firm barriers between styles of music has no more place. It would behoove all of us to accept a more elastic view of what was ultimately always meant to be nothing more than a tool. Many bands are working towards the dissolution of these supposedly well-defined abstractions, some with more success than others. The Misanthrope appears to almost be an experiment in how directly one can attack these bulkheads in music and still maintain an elegance often reserved for more stable works. Make no mistake however; this is not experimentation for the sake of experimentation. Lord knows we have enough of that and it rarely sounds good. Instead, Supersession is the unique and convoluted vision of one man and his attempt to translate it into record form.
That’s right ladies and gentlemen, your dreams are no longer safe. The nightmarish and monstrous I, one of the most disturbing albums I know, is being reissued to continue celebrations of Meshuggah’s 25 year anniversary. Not only that, but the track will be remastered and the issued will include two live tracks and a previously unreleased studio track from 2003. Check out the full release after the jump!
These are my favorite kind of posts. We hear so much music now-days, what with the internet thingamajig the kids are raving about, and it’s quite hard to separate the wheat from the chaff. So, when we’ve already done the separating we like to share it with you, our readers, and save you some time. Please do the same! That being said, check out some wheat: The Misanthrope is the solo project of a man known as Jim Cook and it’s blistering, organic tech/math metal. I’ll shut up now and you’ll go after the jump to listen to These Tunnels Are Alive, featuring some killer vocals by Paul Maconko.
Meshuggah’s 25th anniversary tour with Between The Buried and Me brought out thousands of prog fans around the country to an otherwise comparatively short run of dates. It’s not hard to imagine how a package like this can succeed, with the tour wrapping up with a sold out show at Best Buy Theater in New York City. Photographer Maclyn Bean attended that final date of the tour, and also captured a BTBAM headline show in Philadelphia at the Theater of the Living Arts two days later. You can catch photos from both gigs after the jump.
Rivers Of Nihil have taken the metal world by storm with their debut full-length The Conscious Seed Of Light, which came out last year. They have ascended the ranks, going from a relatively underground band to being known as the next great thing in death metal music. I caught up with Brody Uttley at their Fort Lauderdale stop on their tour with Whitechapel, Devildriver, Carnifex, Revocation, and Fit For An Autopsy, to chat about getting naked, the new album, and why St. Louis is horrible for touring bands.
Fans of extreme metal in all of its various forms are crying out for innovation. While there is an abundance of great records that have seen the light of day already this year, far too many of them have been just a little bit too “safe”. 2014 has already seen some stellar offerings from Son Of Aurelius and Pyrrhon that have rewritten the rules of their relevant genres and with Truth Knowledge Vision, the gentlemen that name themselves Torrential Downpour have thrown out the rule book completely. This band are so forward thinking that they must surely come from the future.
Ever facing delays and setbacks, Monuments’ debut album Gnosis barely missed the boat for the new wave of progressive groove metal — which guitarist John Browne helped form with Tesseract’s Acle Kahney with under-recognized djent progenitors Fellsilent — just as it began to oversaturate the market. Despite landing a critically favorable debut and a dedicated legion of fans, the group’s troubles weren’t soon over. During the Gnosis album cycle, vocalist Matt Rose left the band with dissent, slamming the door shut on further touring in support of the record. In turn, Browne & Co. didn’t make as much new ground as they should have given their pedigree. Now aided by Chris Barretto (ex-Periphery, Ever Forthright) on vocal duties, the group hopes to make up for lost time with their infectious sophomore album The Amanuensis.
Photo by Nick Budosh.
Audiences have never been larger or more receptive to the variety and power of progressive death metal and if you had to name the bands that were responsible for that, Meshuggah and Between the Buried and Me would have to be close to the top of that list. Prog metal fans are getting a double dose of those bands with the current tour that has just kicked off in California. Great New Metal’s Brian Shields sat down with BTBAM lead guitarist and co-founder Paul Waggoner after the second show on the tour in San Francisco to talk about the band’s past, its present, and its future.
As I sit with Paul Waggoner post-show in BTBAM’s cavernous green room downstairs at San Francisco’s Regency Center after enjoying some vegan cinnamon rolls, I note that the performance the band just finished is more diverse that their recent headlining tour playing Parallax II: The Future Sequence from beginning to end.
“Yeah, nothing pre-Colors,” Paul nods his head. “We’re doing a couple of songs off of Colors, I guess one off of Great Misdirect, and a couple of new ones as well. 2007-era BTBAM is the oldest we go but we’re trying to mix it up.
No “Naked by the Computer”, I kid him.
“You will probably never hear anything off of the self-titled, unless something weird happens, you’ll probably never hear that old stuff (live).”
Some of us love that old stuff, I insist.
“Yeah it has a special place in my heart as well but the reality is that most of our fans came on board with Colors or maybe Alaska so we have to cater to that, unfortunately. We would like to play some old stuff but the fact of the matter is that most people have never heard it, don’t care, and don’t know what it is.”