What Heavy Blog Is Really Listening To – 3/3/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Hey! Listen to Lo-Pan!

Way before Rush were progressive rock darlings, helping to usher in the genre’s golden age, they released their first, self titled album. Rush is much more a rock n’ roll affair, albeit one which includes all the hallmarks of Rush in nascent form. It’s comprised more of riffs and groove, heavily relying on Geddy Lee’s vocals than future albums will. The self titled album is often forgotten but there’s something about Lee’s voice over thick guitars that is very rare to find. Strangely enough, a band called Lo-Pan, releasing an EP this year called In Tensions, scratch that itch and then some, doubling down with Torche influences on the rest of the instruments.

Every Time I Die – Low Teens

After so much time (let’s be honest, 20 years is a long time for a rock band), our expectations for a band change. On one end of the spectrum you have bands like Metallica, suffering from intense overreaction (both good and bad) with every release since ReLoad. On the other, bands like The Dillinger Escape Plan consistently release quality material, but fans and critics lull into indifference because it’s business as usual. In this writer’s opinion, Every Time I Die have been cruising on this end of the spectrum for the entirety of this decade, and that’s just fine; but admittedly, there’s a point where this par for the course becomes a bore. Buffalo’s finest already have one of the most consistent discographies of any modern hardcore band, and they appear to have done it all, and most importantly, done it on their own terms. From humble punk rock beginnings, to mild enough success to warrant touring with Ozzfest, to Guitar Hero pseudo-stardom, to a sort of reinventing of their own sound, to refining that sound with “wild experiments” and “throwback” sounds, what’s left for a band to do?