Crevassian – Crevassian

What is it exactly about instrumental, progressive music that seems to appeal to us more when we’re younger? Everywhere I look, I see people who used to be really into progressive metal and, specifically, the instrumental kind but no longer are. Personally, I can say that something about the flamboyance and narcissism…

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Toundra – Vortex

Toundra have an interesting career. This Spanish post rock/metal band have been operating in the same semantic fields as bands like If These Trees Could Talk, Sleeping Bear or Afformance  making their way through the uncertain and, sometimes, downright disastrous, genre of heavy post rock. They were making music way before the current resurgence of the genre and, in Heavy Blog circles at least, were often cited as a light in the darkness, something original and fresh in a genre which seems to have lived out its welcome. Their second album, aptly titled II is a masterpiece, one of the best groovy/heavy post rock releases around. But now, when plenty of other bands are making fantastic music in the same vein, are Toundra still relevant? Following up on some releases that weren’t as powerful as the all-mighty II, are Toundra still up there with the best of them when it comes to making expansive, instrumental music?

Post Rock Post – Astralia

The annals of post rock will look kindly on the somber parts of the genre. In the past few years, they’ve been some of the most prolific, drawing on the once-not-obvious proximity between post rock and post metal. These bands, like If These Trees Could Talk or Outrun the Sunlight, create an atmosphere that is darker in its shadings than the post rock of the mid 2000’s, relying on booming drums and thick bass to garnish their delayed guitars. Into this context burst Astralia, a Barcelona based band with three albums to their name. Their most recent effort, released just a few days ago, sees them polish their style and cohesion. On Solstice, Astralia make a worthy addition to the realm of ponderous post rock and all the intonations one might expect from that label.

Heavy Blog’s Top 50 Albums Of 2016

We wrote a pretty big check to ourselves when we closed off 2015. Publishing not only a list which proclaimed the triumph of 2015 but also a whole editorial dedicated to the idea of “The Golden Age of Metal”, we set ourselves up for disappointment. Like the rest of the music establishment which, in numerous places implicit and explicit, was apparently ready to join in the social lynching of 2016, we were well positioned to find it a sobering, dreadful, faith shattering year for music in general and metal specifically. Except it was nothing of the sort and we cannot stress our amazement at metal/music journalism’s reaction so far. 2016 was an absolutely fantastic year, building on the trend of solid and often groundbreaking releases from established acts and simply astounding, out of left field releases from virtually nameless bands. Sure, it had its disappointments for us from huge bands we had expected more from (although signs of their demise were certainly forthcoming) but, overall, it was a year which will surely be remembered in our circles as one of the best years for music in general.