Ayahuasca – Beneath the Mind

There must have been a point, early in Slipknot’s rise to fame, where the joy of new fans discovering the band was only matched by the despair of house sound engineers when presented with their technical specifications for a live show. Pushing the size of your band beyond four or…

Psycroptic – As The Kingdom Drowns

Our most recent encounter with Tasmanian tech death band Psycroptic saw the four-piece shift gears for the second time in their career. Where the band’s preceding releases demonstrated a groove-focused style of death metal, 2015’s self-titled release pivoted towards a more overtly thrash-influenced look — and further away still from the maniacal…

Hey! Listen to Piah Mater!

For many, loss of old-style Opeth is one of the great tragedies of modern metal. Though entirely justifiable, the transition of one of the genre’s most outstanding progressive voices into ’70s prog rock pastiche remains widely mourned, a full seven years since its occurrence. Regardless of whatever promises are made…

EXCLUSIVE PREMIERE: Prognosis Unleash Their Piercing Debut Definition

Hot off the press today – the record releases tomorrow – and joining the prodigious list of young bands we love to feature, Manchester’s Prognosis are streaming their exciting debut with us here at The Heaviest Blog. Arriving armed with comparisons to metal heavyweights like Mastodon, Gojira, and Death could be too much hype firepower for a new act to shoulder. Not the case here. Progressive metal should be exciting and fresh and take on new ideas to build on the blocks laid by such acts. Definition is both wildly exciting and funky fresh. Don’t just take my word for it. Over the jump with ye.

Hey! Listen to Fleshmeadow!

December is a shocking month to release music in. If you’re thinking about doing so, don’t. Most publications have already settled on their end-of-year list, and if they haven’t been published yet they’ll be coming soon. Music journalists are going into shut-down mode as they give themselves some time off and try to recover from the mountain of listening they did in preparation for their end-of-year list. Listeners are on holidays and are enjoying their time off with loved ones. If they’re listening to music it’s going to be their personal favourites and not some new record that’s dropped. What this all means is that albums released in December are likely to get lost, falling into an abyss from which escape is near-impossible even for those with a formidable PR machine behind them. When you’re independent you’ve almost got no chance. That’s my theory for how an album as great as Fleshmeadow’s debut Umbra slipped through the cracks in late 2016 and why they’re still a largely unknown quantity. But we’re trying to fix that because these blackened death metallers are ready to rip your face off.

The Anatomy Of – Ultra-Violence

It hasn’t been too long since we told you about Turin’s Ultra-Violence, a band approaching thrash metal from a clever and convincing perspective. The secret to the formula was injecting it with plenty of heavy metal influences, found on emotional outros, killer bass lines and larger than life choruses. Seeing as the band hail from what we’d consider a “musical periphery” and don’t exactly conform to many of the habits of the more mainstream and settled scenes of metal, digging into their influences presented us with a tantalizing opportunity. And thus, we are proud to present to you today a host of interesting picks from Loris Castiglia (vocals/guitars).

Conjurer – Mire

Debut albums are an odd beast. Even when they’re good they tend to come with a lot of growing pains, and bands at this early stage in their career tend to lack the self-awareness to really exploit their own potential. Sometimes, this rough, unrefined approach is great. It can often…

Adimiron – Et Liber Eris

In 2015, Kyle Gaddo told you to listen to the band; citing its equal influences from Gojira, Tool and, to an extent, the nu-metal scene, Kyle found much to love about the groovy and evocative metal that Adimiron produced on Timelapse. And rightfully; that album is damn good. Nearly two years later, Noyan rediscovered the band via a related link and shared his “new found” passion with the rest of us. This conviction led me to listen to them and I instantly fell in love; to the influences cited above I could add Opeth, especially during the Blackwater Park / Ghost Reveries period, which is my favorite. This mix of modern influences and a flawless execution is what initially drew me to the band, once my social circles had brought my attention to them, twice.