Last year I took it upon myself not only to organize and compile our own staff’s AOTY list, but to take things one insane step further and compile a bunch of lists from major metal or metal-covering publications and websites into one MEGA AOTY list to rule them all. Eden and I then analyzed the list and made some (mostly snarky) comments about the metal journalism industry and how they approach these sorts of things. Though I still 100% stand by what we wrote there and the conclusions we drew from it, I was really interested in seeing how well some of them would stand up to another year to use as a data point. Thankfully, this year I had a lot of help in all of our list-making efforts thanks to fellow editor Noyan, who put a ton of work into coming up with the method we ended up using to aggregate our lists (if you haven’t already, you should absolutely read his post delving into the nitty-gritty of that methodology) and then did the actual number-crunching.
Welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. Brutai, after having released their debut album Born, are set to rock the mainstream prog world…
Editor’s note: Welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. Binary Code have had an eventful 2016, to say the least. After releasing their first full-length in 7 years, the impressive Moonsblood, the band hit the road across North America for much of the rest of the year with fellow prog-heads Leprous and Earthside. In spite of all of that though, Binary Code founder and guitarist Jesse Zuretti found plenty of time to stay on top of the goings-on in metal and elsewhere this year and eagerly wrote up his top ten metal and non-metal albums for us, which you can find after the jump!
With our general list for 2016 out of the way, we can now shift the focus from our aggregate opinion to individual ones. Both outlooks have their own merit; the former provides us with an overview of our year in music. However, the latter shines a light on something we’re extremely proud of and that’s the varied and eclectic nature of our staff these days. We used to have a very certain type of music associated with Heavy Blog and while we still have a long way to go, we feel like we’ve done a good job at expanding our palettes and the representation of different kinds of music and metal in our staff. The lists below reflect that; you’ll find black metal, avant-garde, technical thrash metal, hip hop, rap, noise, ambiance, post metal and rock, melodic death metal and much more throughout these lists.
Massachusetts prog metal band Caricature — who you may remember as the band who previously dedicated an entire half hour epic to a special feline friend this year — have just released their new EP Unborn earlier this month. Featuring past and present members of Heavy Blog favorites System Divide, Binary Code, and Last Chance To Reason, it’s a melodic groove-minded record for fans of acts such as Gojira, Periphery, and Devin Townsend Project. Expect propulsive songwriting and a plethora of soaring, memorable choruses.
2016 has been chock full of great releases, some of which we (sadly) missed out on. We can’t post about everything or we’d be up to necks in content (first world problems, I know)! One such release is Oni’s Ironshore, a progressive album that’s extremely cohesive and endearing. Rooted firmly in complexity, Ironshore nonetheless manages to evoke melody, emotion and conviction. Listen to “Kanvas” for example: amidst breakneck keyboard work, intricate guitar lines, harsh and clean vocals, hides an honest emotional streak that runs throughout the album and ties it all together.
Seeing as the album is so intricate, we thought we’d get the band to shed some more light on the influences that make them tick as musicians. We hoped it would give us more insight into what seems like another, incredibly strong addition to the annals of modern progressive metal and boy, we got more than we bargained for! Head on below to read their in depth and enlightening list in one of our personal favorite Anatomy Of posts!
It only makes sense that we come to an epiphany about “Voodoo Child” while listening to Minneapolis psychedelic sludge outfit, Maeth. After all, their latest release, Shrouded Mountain, is the sonic equivalent to knocking down a mountain and building it back up again. This record finds the band flexing their post-metal muscle, making the ebbs and flows of their signature aural growth and decay feel more effortless and natural than ever. By tightening things up and leaving behind the shorter transitory interludes from prior albums in favor of merging everything into what could be a singular song, Shrouded Mountain runs efficient, but overflows with atmosphere and.
In a strange pairing, France’s metal behemoth, Gojira, in all their massive, whale-wailing glory, took to the road across North America alongside the UK’s djent giants (djiants?) TesseracT. Though many of us weren’t keen on either Gojira’s [review] or TesseracT’s [review] latest releases, a live performance is a different matter,…
The title is a dig, you say? Not at all! It’s not because this week our topic discussion revolves around how metalheads gravitate to specific genres outside of metal and how that’s influenced by metal journalism. Totally. Here, let’s talk about some new music, releases or news instead. We shitpost about stuff that came out recently, like stuff by Meshuggah, Allegaeon, Opeth (salt interview part 1, part 2, part 3), Disillusion, Metallica, Testament, Logan Mader’s Once Human, Dark Tranquillity, Protest the Hero, The Dillinger Escape Plan, and more. Maybe. Then we talk about this “interesting” article about Reign in Blood turning 30, and highlight a few bands. Namely Starkill, Mammoth, Elarcos and Raptorbaby. And the week’s underrated release is Ønskediktet by Ørkenkjøtt! Enjoy! By the way, this is that article about Kendrick Lamar – “Why Did Everyone Claim to Enjoy Kendrick Lamar’s ‘To Pimp a Butterfly’?”
Adversity and struggle are the genesis of a significant amount of great art, and Long Island mathcore band Car Bomb are no exception. Whether it’s touring and playing shows relentlessly and constantly, as seen in their excellent documentary [Why_You_Do_This], or losing the majority of their gear and rehearsal space in a flood, Car Bomb are the poster children for authentic, working class modern metal. 2012’s second full length album w^w^^w^w was a masterclass in weird, angular mathcore, and now, after an agonizing four year wait and much teasing, the band have released it’s follow up, entitled Meta. Can it live up to the acclaim and hype? Could it possibly be better than w^w^^w^w?