Composing an album with the backdrop of other media is a daunting task. As we discussed earlier this year with our review of Ehnahre’s Theodore Roethke-referencing album The Marrow, it’s difficult to create music that accurately conveys the emotional context of the source material while also extrapolating enough to create a unique voice that can stand on its own. This is particularly true for albums that reference movies and similarly complex texts; whereas a novel or poem contains just text to decode, films contain several more elements that need to be interpreted, most challenging of which is the pre-existing music already linked to the visuals and script. In these types of situation, it’s a smarter bet to draw inspiration from a film while pursuing a larger thematic ideal, which is exactly how Bolt Gun succeed on their colossal, one-track album Man Is Wolf to Man. By drawing influence from a myriad of sources that bolster a stated pursuit—particularly Soviet and Ukrainian filmmaker/writer Konstantin Lopushansky’s dystopian film Posetitel Muzeya (Visitor of a Museum) as well as works by Soviet filmmakers/writers Andrei Tarkovsky and Krzysztof Kieślowski—the band realizes the grandiosity of this endeavor with an excellent display of thematic metal aimed at capturing the “existential horror of Stalinist Russia.”
I was 15 when I witnessed honest, heart-crushing grief for the first time. My father is a stoic man. Reserved and kind, but not one to express his deepest feelings regularly. That changed when my grandfather passed away. At that point in my life I had never seen actual death,…
Managing an album’s length is more than just a numbers game. As important as the song count and run time of a track list may be, an album’s experiential length is more closely linked to the content contained within each track. More specifically, this is defined not by the quality of an album’s ideas, but the quantity of those ideas, as well as their organization. As an example, consider your standard 20-ish minute, 20+ track grindcore album—though it may be shorter than most people’s morning commute, a band with the the most simple genre formula is introducing the listener to roughly two dozen song ideas, and if these ideas are executed poorly, the album is going to drag and lose its appeal despite presenting bite size compositions. This isn’t relevant to Never Forever because it suffers from an ineffective length; to the contrary, MONARCH! (Monarch, from here on out), have crafted an album with perfect pacing and structure that enhances the impact of the record. But the band operate in a genre rife with overindulgence, as evident by the sheer number of doom and drone metal albums comprised of a handful of tracks that each rival the entirety of a grindcore album while presenting barely enough ideas to rise above being musical melatonin.
One-man metal bands have traditionally been dominated by black metal acts. Superficially, this makes sense. Thematically, the hyper-isolated, frost-bitten anguish of black metal is probably best fostered in a singular, individualized setting. Further, the low-barrier recording requirements of tinny, high-treble bedroom black metal means more people can simply start projects on their own, no band-mates or professional sound set-up required. Of course, there are exceptions. But black metal’s icy grip on one-man metal has, at times, seemed so tight as to prevent other genres from getting in on the action. Thankfully, Talsur is here to bring doom metal into the one-man domain.
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the week’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
I’m not incredibly knowledgable on folk metal, but I have noticed a recent trend of bands that have done a great job putting folk elements into their music. Wintersun and Saor are the first to come to my mind, but even other, lesser known groups, like Forndom (which will hopefully find its own HLT in the future) have done incredible jobs reinventing the folk metal sound.What Russia’s Goatpsalm brings to the proverbial folk metal table is, in my opinion, incredibly original, at least in presentation. It’s as if the band has been able to strip folk metal down to its barest elements—the sounds of nature, the occasional acoustic guitar, and an assortment of ethnic instruments—and sort of build their sound up from there.