Ufomammut – 8

Ufomammut are a strange band. Let’s just get this out of the way right off the bat. The Italian trio of metallers moonlight as professional graphic artists in the Malleus art collective, and also have an expansive back catalog of albums that plunder elements of psychedelic, stoner, and sludge-infused doom with reckless abandon. Given this mix of styles, the band are fairly difficult to pigeon hole into any specific subgenre niche in metal. Which is simultaneously both one of the best things about their music and one of the worst aspects of it when trying to explain how they sound in a review. But bravely shall I endure for the cause.

Hey! Listen to Part Chimp!

Comeback albums are in vogue this year, especially for rock music and its offshoots. At the Drive-In, Gorillaz and nearly every major shoegaze pioneer (The Jesus and Mary Chain, Ride, Slowdive, etc.) have all resurfaced for returns-to-form or late-career flops, depending on whom you ask. The fact many of these bands had been laid to rest for decades certainly contributed to disappointment among some fans, as did the heightened expectations created by their pre-breakup classics. Part Chimp bucks the drawbacks of all these metrics with their hiatus-smashing record Iv, which provides and incredible delivery of the band’s signature blend of sludge-ridden noise rock and stoner metal. The band’s comfortable position in the underground and relatively short hiatus—they disbanded in 2011 and reunited last year—has allowed Iv to feel less like a comeback album and more like a reunion with a beloved friend, where good memories come flooding back and it feels as though everything is still in its right place.

Premiere: Olde’s Temple is a Shrine to Doom

There’s no dearth of bands inspired by the likes of Motorhead or the Obsessed but many miss the mark when trying too hard to emulate their forebears rather than putting their own aggressive stomp on the tried and true sound. This particular blend of blues-y, groove-laden metal often stays too long in its own lane, rarely straying from the formula to stretch and add enough of a band’s individual identity, but when a band is able to take this style and bend it to *their* will is where we get something unique.

What Heavy Blog Is Really Listening To – 9/9/16

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Cough – Still They Pray

Though they have only two albums to their name, Richmond’s Cough have quickly become renowned as one of the most suffocating and cavernous bands to emerge from the doom metal resurgence in America today. Their previous two albums were both monolithic slabs of gut-rumbling fuzz, terrifying shrieks and an overall…

Wo Fat – Midnight Cometh

We are currently experiencing an age where everyone and their mom plays in a stoner metal band. For some reason undecipherable (or, more accurately, yet to be figured out), there’s a huge glut of slow metal bands right now, and that’s leading to a few problems, namely, the fact that…

Hey! Listen to Mammoth Weed Wizard Bastard!

hat MWWB brings to the field is nothing new in terms of genre; they play a heavy doom style with what seems like light psychedelic elements interspersed throughout. (Really, on paper (or a website screen) it’s not much different from, say, YOB or Electric Wizard.) However, one is hard pressed to find a band that plays heavier doom than these guys, and it doesn’t hurt that the album’s songwriting is incredibly intelligent for its genre.