Hey! Listen to Hamferð!

The Faroe Islands are a self-governing entity off the coast of Denmark. I was completely unaware of their existence until I researched the background and history of Hamferð, to my knowledge the most famous band from these islands. Their debut album, Evst, flew completely under the radar in 2013, and…

Desolate Shrine – Deliverance from the Godless Void

There is often a mystique surrounding bands that take several years in between projects. Whether they deserve it or not, bands and artists who most often fall into this camp (the Tools and Sufjan Stevenses of the world) tend to be surrounded by hype simply for the fact that they have not released new material in a significant period of time. This isn’t to say that the material released cannot be quality, because it most certainly can be, but rather that there seems to be a strange thread in musical fandom that connects time elapsed between records to expected quality/increased hype. Finnish death metal maestros Desolate Shrine represent the exact opposite of this phenomenon. Having released four albums in just over six years, the band’s fans barely have enough time to absorb their last album before the release of their next project. This pace of material creation also comes with its own potential downsides, but none of them seem to apply to Desolate Shrine, who have topped their previous efforts with each new record, culminating in the crown jewel of their discography, this year’s Deliverance from the Godless Void. In the war of quality over quantity, Desolate Shrine seems to ask: why not both? What a novel proposition.

Northless – Last Bastion of Cowardice

As a genre, sludge has it tough. As the oft-neglected son of the more well-established sounds of doom metal and hardcore, sludge often seems trapped in relative obscurity compared to other thriving and evolving scenes of the past few decades. Whereas, for example, black metal has consistently expanded its worldwide…

Primitive Man – Caustic

The allure of extreme music, for most, comes from its roots in counter culture. The hippy-dippy era had no idea what the hell was happening when Iommi picked the first distorted tritone. Fast forward all the way to the present day and a lot of extreme music can be branded and catered to specific groups. Counter culture is consumer culture. Honest extreme music is much more difficult to come by and much more difficult to consume when it finally shows up. It doesn’t get much tougher to swallow than this. Primitive Man are the embodiment of an “acquired taste”; the Denver residents playing doom that most fans of doom can’t even stomach. Consumption of their new full length Caustic is not advisable for anyone of a weak disposition.

MONARCH! – The Heavy Blog is Heavy Interview

Writing a standout doom metal album is a difficult task nowadays. This isn’t due to an overall lack of quality within the genre’s modern progenitors, but because of the antithesis; more and more excellent doom metal albums seem to enter the running for our year ends lists with each passing year. MONARCH! (Monarch from here on out) has never struggled with this  endeavor over the course of their 15-year career, particularly when it comes to their recent output with the eminent Profound Lore Records. Yet, while Sabbracadaver was certainly a doom highlight in 2014, Never Forever sees the band returning this year with their most colossal and grandiose album to date, presenting a masterful synthesis of drone metal with doom’s more macabre characteristics. We sat down with the band to discuss the process of writing their latest epic, as well as a handful of other topics related to their past, present and future within the shifting landscape of modern doom.