Rapture – Paroxysm of Hatred

For the uninitiated, a paroxysm is defined as “a sudden attack or violent expression of a particular emotion or activity,” and such a word is certainly apt to describe the music of Grecian death/thrash metal band Rapture. As of late, the proto-death metal genre these guys traffic in has been hurting…

Grafvitnir – Keys to the Mysteries Beyond

Grafvitnir exists at the limits of extremity and melody. If one were to plot a simple chart to describe metal, with “Melody” as the X axis, and “Extremity” as the Y, Grafvitnir would be the little dot in the top right corner, with full marks in each category. Yet Grafvitnir doesn’t balance their thirst for convulsing blast beats and throat-shredding vocals and lightning tremolo with their desire for sweet, sweet melodies so much as the two sides battle, warring opposites ripping and clawing and dancing, circling their way around one another, imprisoned in brutal stalemate for the duration of Keys to the Mysteries Beyond. The end result is something that sounds like Storm of the Light’s Bane-era Dissection on amphetamines — and if that sentence sounds appealing, you’d better get listening, bucko.

What Heavy Blog Is Really Listening To – 10/27/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Kvlt Kolvmn // August 2017

Welcome to the latest installment of Kvlt Kolvmn! Another amazing month, another installment attempting to capture it all. Our apologies for most assuredly failing in this regard. Nevertheless, a fairly large amount of black metal blasted through our ear holes since our last installment, and we are here to share our favorites with you. Believe you me, there were some good ones.

What Heavy Blog Is Really Listening To – 8/18/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

The Devil’s Roots: Theistic Satanism In Metal

The trait which unites most branches of Satanism is rejection of a Judeo-Christian deity and the embracing of one’s individualism and strength. Satanism, for the most part, is just a sexier way of being an atheist and any notion of a Devil is merely symbolic. However, theistic Satanic belief is traditional, the type that believes the Dark Lord is a real entity whom many objectively worship and revere, and while this Satan is accepted as an extension of Christian belief, the teaching’s of the big man upstairs are rejected in favor of the Fallen One. That said, theistic Satanism is also complex; while the Devil is revered as a deity, what He actually represents differs from thought pattern to thought pattern, with some such as Mayhem’s Euronymous believing in a horned one whose followers should be enslaved to, while others don’t even necessarily believe that the Devil’s roots are Judeo-Christian at all. So, just because they all believe in and worship a Satan, that doesn’t mean that all theistic folks embrace the same variation of Him. However, for the case of simplicity, all theistic Satanism rejections atheism as they believe in a deity of some kind.

Hey! Listen To Chateau!

Sure, we talk a lot on here about how good New England’s metal and hardcore scene is, but let’s not forget that North Carolina has really been stepping up the quality of its bands over the past several years. Though black metal certainly isn’t the first thing that comes to mind when you picture the crop of bands that come out of this area, Raleigh’s Chateau are clearly onto something special here. Though they only have a demo and one EP to their name as of right now, they’re about to release Moons Over the Slaughter, an impressive four-song bludgeoning that’s as evil as it is entertaining.

Goatcraft – Yersinia Pestis

Press releases in general are typically excessive affairs, but those accompanying new music can be particularly unbearable. Take, for example, the opening promo blurb for Yersinia Pestis, the latest “necroclassical” offering from Goatcraft. Apparently, Lonegoat created his solo-piano project because he was “disappointed by a stagnating metal scene incapable of renewing its original spirit and sheer power.” Setting aside this mindset’s removal from reality (especially considering the album’s release on the excellent I, Voidhanger Records), it’s also an interesting assertion considering the musical response that Lonegoat feels is fit to offer. It would seem obvious for someone with this opinion to then go ahead and attempt to fix the “problem” directly by creating metal with these supposed qualities. But instead, Lonegoat created an album that not only rests within a discernible comfort zone, but heavily relies on the music which he critiques.