Tag Archive: deathcore


I recently had the pleasure of attending the Return To The Motherland Tour, featuring Arsonists Get All The Girls, Lionheart, The Contortionist, and Volumes. The one band missing was A Plea For Purging, which I didn’t find myself too disappointed over at all since I never really did get into them.

Whilst this tour ended a while ago, it’s still relevant thanks to AGATG having just released their new album Motherland, which we enjoyed. Not only that, but the first two opening acts are part of the Summer Slaughter Survivor’s Tour this summer, which I’m completely stoked for as well.

The first act Volumes were awesome to watch live. They brought all the groove and heaviness I expected and did not disappoint. They played four of the five songs of their EP The Concept of Dreaming, which included “Wormholes”, ‘Through The Trees”, “Starstruck”, and “Intake”. As a side note, they ditched that last breakdown in Starstruck I complained about in my recent review which was a nice touch. One of the singers’ voice was raw. I can’t remember which one, but he shared the mic often with audience members to make up for his lack of ability to perform at 100%.

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Volumes – The Concept of Dreaming

Volumes

The Concept Of Dreaming

01. Two-One
02. Wormholes
03. Through the Trees
04. Starstruck
05. Intake
06. Gateways

This review has been a long time coming, and I wish I had gotten to it sooner. But with a full-release scheduled for this year, a late review of their EP will suffice for the anticipation.I first discovered Volumes after hearing them referenced in our Elitist review from a commenter named Tom. After hearing a few songs on their myspace page, I was hooked. I eagerly awaited their EP, and when it finally arrived I must say I was definitely satisfied.

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Oceano – Contagion

Oceano

Contagion

01. Precursor to Enslavement
02. Viral Re-animation
03. Regulated Disposal of Life
04. Quarantine
05. The Contaminated
06. Exist in Confinement
07. Persuasive Oppression
08. Weaponized
09. Sadistic Experiments
10. Remnants Aflame
11. Ending Intellect

[Earache | 11/09/10]

Oceano have a pretty bad rep around these parts. I personally haven’t much time for deathcore as it is, but in all fairness, if you’re going to cite a particular band as a negative influence on metal today, you should know what you’re talking about.

That said, I didn’t come into this predisposed to give this album a bad review. Oceano are liked by a lot of kids; they’re meant to be the forefront of deathcore, and so despite the severe animosity my compatriots have shown towards Contagion, surely there must be something of merit?

Well: no, no there isn’t. Not really, and not for me at least.

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So I’ve had my eye on the To Catch A Predatour for a while, mainly because I love The Contortionist and I would love the opportunity to watch them perform. Not that it wouldn’t be awesome getting to watch most of the other bands play too, and The Red Chord are pretty high up on my list as far as deathcore goes. I just recently found out though that in addition to the great show, I’m going to be able to do a video interview The Red Chord vocalist Guy Kozowyk! Talk about awesome. I’m going to the Nov. 3rd date in Winston-Salem, and that’s only a couple of days away so it’s pretty short notice, and this will be my first time doing anything like this so lets hope I don’t screw it up too bad! If you guys have any questions you want me to throw at him, post them here and I’ll include them in the interview!

-PM

The Acacia Strain just posted a new music video for their song “The Hills Have Eyes” off their latest release, Wormwood.

And it’s hilarious.

You didn’t expect them to make a serious music video, did you? Check it out. Maybe you’ll laugh/chuckle as much as I did. Bonus points to The Acacia Strain for making a music video out of one of the good songs on that album.

Wormwood is in stores now. Don’t forget to read my review to see what I thought.

-MK

The Contortionist – Exoplanet

The Contortionist

Exoplanet

01. Primal Directive
02. Flourish
03. Expire
04. Contact
05. Advent
06. Vessel
07. Oscillator
08. Axiom
09. Exoplanet I: Egress
10. Exoplanet II: Void
11. Exoplanet III: Light
[Good Fight | 8/31/10]

Sumeriancore is a genre I generally don’t listen to. I feel like it’s a jack of all trades and a master of none, but Indiana’s The Contortionist prove that you can’t always count something out. If you were hesitant about listening to Sumeriancore bands, now is the time to change that. Simply put, Exoplanet delivers on all levels.

“Primal Directive” is an epitomizing opener, showcasing everything that The Contortionist rely on to make a fantastic album: resonating, heavy-as-fuck riffs intertwined with bright melodies. Throughout the song you’ll be met with these qualities, amplified only by the multi-ranged vocals. From high shrieks to low, booming growls, the vocals are anything but terrible. For even more diversity and to pair with the melodies, there is an extensive use of a vocoder. This fits the theme of the album well, adding an extra level of spacey, planetary-ness (I’m reminded of The FacelessPlanetary Duality album). My only gripe is I feel like the frequent layering of growls over singing abolishes the harmony of it. The contrast seems a bit unnecessary at times with the already-established melodies and tends to make said passage a little awkward and unfitting (middle of “Primal Directive”). While not the most unique harsh vocals, the diverse styles throughout Exoplanet should be enough to perk up your ears. In retrospect, the music here is god tier. What Exoplanet truly excels at is never making your listening experience boring. None of the breakdowns feel obligatory and none of the melodic breaks feel forced. Additionally, some of the unorthodox, unexpected transitions work well. The intro to “Expire” starts with some fading-in vocoder before busting out heavy blast beats while “Contact” feels like it’ll be the ballad of the album, but constantly changes from bright to dark. If you want booming tritone breakdowns, death metal passages and lots of melodies in between then Exoplanet is for you.

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This past summer has been full of great tours here in North America, and one of the ones I’ve been most excited for is the Over The Limit Tour. With a fairly solid lineup of mostly techy deathcore bands, with a few exceptions, I was expecting a pretty good show. I’ll go ahead and tell you I was disappointed with what some of them had to offer, but the show only cost me $10 and it was only an hour drive to Ground Zero in Spartanburg SC from where I live so I’m not complaining.

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I have been given the grace of hearing a sampler from The Acacia Strain‘s Wormwood which contained 3 tracks: “Jonestown“, “The Hills Have Eyes” and “Terminated” all finalized and produced. Album versions, if you will. After hearing “Jonestown” off their MySpace a while back, I was impressed, so I had high expectations of the other two. What I did hear, though, shocked the hell out of me. The apocalyptic undertones of Continent are much more present here on both tracks, adding a truckload of sinister sounds that contribute to the already-demonic atmosphere. If that wasn’t enough, they seemed to have joined the recent trend of going with 8-stringed guitars. The low-end sound is amplified times a thousand because of this, adding layers upon layers of thickness that drives me nuts (in a good way). The Acacia Strain manage to somehow be fast (at times) yet maintain a slow, chugging tempo that feels like the end of the world is coming in slow motion. Vocalist Vincent Bennett only emphasizes this, with his throaty vox droning on over the slow passages. There is also some sexy punk-influenced drumming here and there, but it’s second-rate to how amazing of an atmosphere they seemed to have established. I despise the term brutal, but damnit that’s what it is. Just imagine dropping a slab of concrete on a puppy. Just imagine driving your car into an 18 wheeler at 100 MPH. Just imagine being punched in the face by Rambo. Actually, just imagine The Acacia Strain.

There are demos out there of “The Hills Have Eyes” and “Terminated“, but they do not do justice for these finalized versions. Seriously, if this is the mood of the whole album, I can see Wormwood being one behemoth of a release and easily becoming the best in their discography.

Wormwood. July 20th. Prosthetic Records. Fucking get it.

-MK

OH SHIT, SPLIT SCREEN HAX:

First up, there’s a new Whitechapel song called “Breeding Violence” streaming over at Noisecreep FOR TODAY ONLY. Tonight, they pull it, so get to hearing it while you can. It sounds just like Whitechapel, so you should know what to expect when you go romping around over there. The song is off of their upcoming album, A New Era Of Corruption, which is due out June 8th on Metal Blade Records.

- JR

Second on the agenda is A Plea For Purging and their new song “The Eternal Female,” which is off of their upcoming album The Marriage Of Heaven And Hell, out July 6th on Facedown Records. You can hear that over on their Facebook page. This is the better of the two songs, in my opinion, but I suppose that’s like saying I’d much rather stub my toe than get kicked in the balls.

Cunthunt 777

What the fuck man.

It’s like, how can things get worse? But they always get worse. Fuck you god, you did this.

-MW

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