Outliers // 2017

Welp. You’ve seen it. You’ve debated it. You’ve cried over it. But what’s done is done: Our list of the best albums of the year is behind us, and there is much rejoicing. But what about the albums we loved that didn’t make the cut? For those of you who…

Hey! Listen to The King is Blind!

What exactly qualifies as “metal” can be a contentious issue. As any dedicated listener knows, the label itself accounts for a wide spread of sub-genres—ranging from softer, more atmospherically-inclined fare such as post-black/gaze and folk metal; to the frantic, bombastic realms of speed and power metal; and onto the spasmodic worlds of math- and grindcore; and even the bleak, all-encompassing, sonic oppression of drone and funeral doom. Many of these sub-genres remain contentious, and what is considered metal, or even just heavy music can shift and change depending upon what circles you frequent. Then again, there are those bands who (for any number of reasons) simply ooze the ideal of heavy metal, no matter which way you look at them, so that their status as a nothing less than a fucking heavy metal band cannot be denied. The King is Blind are one of those bands.

Hey! Listen to Vitriol!

Vitriol are a death metal band from Portland, Oregon. Their debut EP, Pain Will Define Their Death, drops November 10th. Here’s hoping that next year they drop a full-length record. And perhaps another the year after that. Same the following year. So on and so forth. Mark your calendars, tune your EQ to “Deadly”, and prepare yourself for abject disappointment, because this EP only has three songs and that isn’t nearly enough music from this monumentally talented band. We need more of this, dammit, and we need it NOW!

The Anatomy Of: Dallas Toler-Wade (Narcotic Wasteland, Ex-Nile)

If you’re into extreme metal in any capacity, the name Dallas Toler-Wade may no doubt ring a few bells. You may best know him from his two-decade tenure as vocalist and guitarist for seminal death metal band Nile before his departure earlier this year. Now, his project Narcotic Wasteland —  whose self-titled debut album dropped in 2014 — is back as a full-time unit rounded out by drummer Phil Cancilla (Hank 3), guitarist Edwin Rhone, and bassist Chris Dupre.

As the group are gearing up for the release of sophomore album Delirium Tremens (due October 13th through Megaforce), Dallas himself was kind enough to give us a rundown of the most influential bands and albums that shaped his growth as a music fan and as a musician. Get a look into The Anatomy Of Dallas Toler-Wade’s musical development below. 

Hey! Listen to Gregorio Franco!

When one thinks about synthwave they more often than not conjure up images of neon landscapes made up of transparent grids, sunsets, beaches, palm trees, fast cars and anything else that may fit into such an aesthetic. That said, one does not tend to think about upside down crosses, demons, serial killers and an overall sense of evil in turn. However, for every genre that has ever existed there lies a much darker side, a subgenre which turns things on their head and produces a much more heavier sound in response. For synthwave that would be darkwave or darksynth, either seem to be interchangeable for the most part, with well-known acts such as Carpenter Brut, GosT, Perturbator, and Dance with the Dead carrying the torch. Of course, for every well-known act, there are those who are scratching, clawing and going through hell to be noticed, many of whom were influenced by those already leading that proverbial charge.

Gregorio Franco is one of those dark souls of the synth and, if what he’s produced thus far is any indication, he is not only one to keep an ear to the ground on but one to keep an eye out for as well.

Death’s Door – July 2017

Welcome to our latest edition of Death’s Door. Wipe your feet on the mat, etc. There’s a lot to discuss this month, though frankly, I had my doubts at certain points about whether or not there would be. You see, July tends to be a musical doldrums for yours truly, with lots of leftover releases that didn’t make it into the prime Spring and early Summer release calendar clogging streaming services with mundane/barely serviceable drivel. Obviously, this makes for some not-so-great listening experiences. Thankfully, July pulled through regardless, delivering unto us another fantastic batch of death metal releases that can stand shoulder-to-shoulder with the rest of 2017. So much so, in fact, that we are foregoing our new tracks section to focus exclusively on the great records released this month. So prepare yourself for some good stuff and thank your lucky stars, because hell hath no fury like a month without good death metal.

Decibel’s Toxic Nostalgia – Exploring the Magazine’s Narrow View of Modern Death Metal

The following article is a collaboration between editors Jonathan Adams and Scott Murphy.  Before we dive in, let’s make one thing clear—we and Decibel (“America’s only monthly extreme music magazine”) agree that 2017 has been an exceptional year for death metal. Jonathan has highlighted countless fantastic death metal albums this…