Kvlt Kolvmn – August 2018

Greetings once more, lovers of the black. Welcome to Kvlt Kolvmn. The time is ripe for another fresh batch of black metal selections hellbent on freezing your blood and pulverizing your heart into a fine pulp. Thankfully, August offered an abundance of such releases, particularly in the experimental camp. If…

Mamaleek – Out of Time

Anonymity in black metal has always been a double-edged sword. While it’s refreshing to see artists solely focused on their music and presentation rather than themselves as artists, it can also be frustrating to be unable to spotlight bands that truly excel at their craft. This latter point certainly applies…

Hey! Listen to Fleshmeadow!

December is a shocking month to release music in. If you’re thinking about doing so, don’t. Most publications have already settled on their end-of-year list, and if they haven’t been published yet they’ll be coming soon. Music journalists are going into shut-down mode as they give themselves some time off and try to recover from the mountain of listening they did in preparation for their end-of-year list. Listeners are on holidays and are enjoying their time off with loved ones. If they’re listening to music it’s going to be their personal favourites and not some new record that’s dropped. What this all means is that albums released in December are likely to get lost, falling into an abyss from which escape is near-impossible even for those with a formidable PR machine behind them. When you’re independent you’ve almost got no chance. That’s my theory for how an album as great as Fleshmeadow’s debut Umbra slipped through the cracks in late 2016 and why they’re still a largely unknown quantity. But we’re trying to fix that because these blackened death metallers are ready to rip your face off.

Mantar – The Modern Art of Setting Ablaze

Despite being just a guitar and drum duo, Mantar still sound just as massive as their modern sludge metal brethren. On their third album The Modern Art of Setting Ablaze, Erinç Sakarya (drums, vocals) and Hanno Klänhardt (vocals, guitars) continue their consistent trend of dropping an abrasive slab of blackened, crusty sludge every two years, all…

Kvlt Kolvmn – July 2018

2018 has been quite the year for metal as a whole. With big releases from big bands hitting all the high notes, and several subgenres experiencing some of their most consistently impressive output in decades, it’s fairly safe to say that this has thus far been a premium year for…

Rebel Wizard – Voluptuous Worship of Rapture and Response

Black metal can be such an interesting genre. There are so many different ways to take the sound. You can be fairly straightforward and make the most evil sounding music possible and follow in the footprints of our Norwegian forefathers; you can just go heavy on the imagery but make fairly accessible metal a la Venom; you can get atmospheric and create a more environmental sound the completely enraptures you. Or you can tell all that stuff to fuck off and get really weird with it. Such is the path chosen by Rebel Wizard, a one man project from Ferny Creek, Australia. The latest record, Voluptuous worship of rapture and response, is just the latest example of this unique take on the genre.

The Anatomy Of – Cancer

We here at Heavy Blog are proud to have been saying “what the hell is in Australia’s water?” for at least five years now. The music scene over there has been blowing up for at least that long, if not longer, creating some of the most innovative, crushing, intriguing and just plain excellent music in the world. To these by-now hallowed annals we can add Cancer, a black metal band that’s all about ambiance, abrasive tonality and depressing atmosphere. Hot off of their second release, Into the Heartless Silence, Cancer seem poised to add to the growing plethora of excellent black metal being made today, offering their own version on the formula with their own off-kilter and disharmonious touches to composition.

Naturally, hearing more about what makes such a band tick, since they seem to fuse black metal with a whole lot more influences operating in the background. And, indeed, when you look at the picks that John Pescod (vocals) included below and their write ups, you find classical black metal influences alongside more discordant and twisted takes on the classic genres. Thus, without further ado, we consign you to the able hands and vocal chords of Pescod, for a dive into what makes a modern black metal band work. Don’t forge to also head on over to the band’s Bandcamp below to listen and order the album. You won’t regret it.