The last time I didn’t put links to news stories in the description was over a year ago, let’s see if people will still leave passionate comments asking for the links back again. No, this is totally not an attempt to bait people into increasing our facebook engagement. Anyway, this week we talk about Spotify’s legal woes as outlined by The Verge, their upcoming IPO, and their launch in Israel, which Eden is not very happy with. Also Sigur Ros’s tax-evasion-but-not-actually story. Then when we start talking about Misha of Periphery’s recent comments about how Periphery alone doesn’t make enough money to be sustainable and Ultimate Guitar’s clickbait headline about it, it turns into a full on discussion about music as business. Then we talk about Fallujah’s teaser, the new Rings of Nihil album, and the upcoming Alkaloid album, and the passing of Wormed’s drummer. Then cool people time with Assassin’s Creed: Origins, Star Trek: Discovery, and Netflix’s Disney’s Marvel’s The Punisher. Enjoy!
This week Eden’s gone so I got Simon instead. We talk extensively about his editorial regarding the Taake incident, trangressions and more. We talk about how black metal’s problematic web of influences is way too wide, and how frustrating that is. Then we cleanse our palates with some new music by Alkaloid, Rivers of Nihil (my review here) and Augury. Finally, we talk about the new Between the Buried and Me album (Jimmy’s review here). Then we do cool people time. Simon talks about the new game from FTL creators, Into the Breach (I bought it right after and have been playing it for hours instead of editing this podcast) and I talk about Derren Brown’s new Netflix special The Push, where he tries to manipulate a person into committing murder. Enjoy!
Welcome to “Beyond the Veil“! In this feature, its name (partially) taken from the Gods of Eden track, we’re going to delve into some theoretical aspect of the music we love in an effort to elucidate the behind-the-scenes workings at play, but in a largely jargon-free manner intended to be accessible to those who…
Welcome back to Endless Sacrifice, our ongoing look at the role which the ideal of suffering plays within metal. Our opening article focused on content analysis, taking a look at the ideal of suffering as it comes across from the content which metal is concerned with. Lyrics provided a fertile ground for exploration because they are the standard which music raises in order to convey its meaning (although we saw that a grain of salt is indeed needed when considering them). Today we discuss the instrumental side of things. Approaching this topic was not the easiest thing to do at first; after all, how does one relate strictly musical content to the concept of suffering within metal? Where to even begin, when what one gleans from a certain musical moment is nowhere near objective? What this apparent divide necessitates instead is a re-framing of the question itself.
So, you all may have seen the absolute unbridled rage against Allegaeon’s Patreon from last week. I thought this was pretty unfounded and ridiculous, so I invited Riley McShane of Allegaeon to talk about how he views this situation, and whether some of the accusations made in the articles are founded or not. We ended up having a great chat about the band’s situation and crowd funding. I recommend listening to this one, regardless of what you think about the situation! Then Eden and I talk about news and stuff. The new Metallica song, the new Shokran video, the upcoming Soen album, the new Thy Catafalque album, the new Disillusion video, the new… I got tired of going “the new X”. Instead, listen to this really dumb but amazing mashup of the Space Jam tune with the new Meshuggah album by Analog Staple. Oh, also, Dominic Forrest Lapointe joined First Fragment. Balance Interruption is an awesome saxed-up black metal thing. Alkaloid are on Season of Mist, officially making it the best label ever. Facebook added integration with some music services. Our underrated album of the week is Rad a Trest by !T.O.O.H! – I wrote about them years ago. Then we talk about how song order is a really hard thing to pick.
Fellow tech death enthusiast Ahmed joins me this week and we geek out about tech death for over an hour! Since Eden isn’t cool like us, we don’t get a chance to do this while he’s around, so we really went deep with this opportunity! We discuss some news first, like new music/content from Opeth, Meshuggah, Ion Dissonance, Anaal Nathrakh, Astral Path, VOLA, and an interesting Patreon by The Reign of Kindo. Then we go into tech death, how it has evolved historically and geographically; what its watershed moments were, and we discuss some of the most important and influential albums in the genre. Enjoy!
Connecting the Dots explores side-projects and associated bands featuring members, past and present, of bands we know and love.
In today’s Connecting the Dots, we’re going to be talking about Obscura, who’ve become the closest thing there is to a household name amongst tech death enthusiasts. Obscura have recently undergone some significant lineup changes, but their Omnivium roster — arguably their most well known — is what we’ll be focusing on today
Yeah, that’s the actual title! Thanks for listening to us for 20 episodes now! We’re going to keep going. This week we talk about a bunch of new music, including Sylosis, Babymetal, Voivod, Myrkur, Vektor and Danny Tunker’s (Alkaloid) Bare Trap! We also talk about the controversial Patreon by Ne Obliviscaris. Then we go into two topics, the balance between being in a band with friends versus professionalism, and bands that take forever to release their next albums. Then we do our now-weekly “balls deep” on Blind Guardian, which we both really love! Also don’t forget the cool people time at the end!
With their cosmic imagery and lyrical themes, melodic-yet-alien riffing, oldschool Cynic-influenced jazzy breaks and calm-yet-powerful approach, Obscura have become one of the biggest names in the genre with their past two albums Cosmogenesis and Omnivium. After losing several of the most talented musicians in metal from their roster, they’ve come back with a new lineup for their fourth album Akroasis. Usually a huge shake-up in a band is dangerous, especially when the members who left, Christian Muenzner and Hannes Grossmann (Alkaloid, their own respective solo projects and much more) were known to contribute to the writing process of the band. Clearly, founding member and frontman Steffen Kummerer has within him enough of the DNA that not only can he preserve what made Obscura great in the past, but even take the band to the next level, as Akroasis is nothing short of fascinating.
Formed as a solo project in 2011, Seattle based progressive metal band Rhine return on February 5 2016 with their sophomore release, An Outsider. Apart from drum tracking and mastering, founder Gabe Tachell was the record’s driving force; he designed the cover artwork, wrote and performed all of the music…