Category: Reviews


Lamb Of God – Resolution

Lamb Of God

Resolution

01. Straight To The Sun
02. Desolation
03. Ghost Walking
04. Guilty
05. The Undertow
06. The Number Six
07. Barbarosa
08. Invictus
09. Cheated
10. Insurrection
11. Terminally Unique
12. To The End
13. Visitation
14. King Me

[01/24/11]
[Roadrunner Records]

Longevity in bands is a strange beast — some bands make the best of it and some have some pretty well documented struggles with it. Take for instance prog legends Rush, that are set to release their 19th album later this year to what looks likely to be a rapturous reception after the way their recent single was received, but it’s bands like Metallica that are the most fascinating. Despite having a recent output that ranges solely from the above average (Death Magnetic) to the frankly dreadful (St. Anger), they’re still the biggest metal band around and essentially sustaining their lucrative lifestyle off the back of achievements made at least 20 years ago. You could argue that Metallica fans simply suffer from ‘battered wife syndrome’ or that they made such an impact with early material that it doesn’t matter, either way it’s an interesting insight into the way popularity and quality interlinks.

It would be hard to argue against the idea that Lamb Of God are, by far, one of the most important metal bands of the 21st century, maybe even the Metallica of our generation. Taking as much inspiration from Pantera as they do Slayer, you only have to listen to the quality of an album like Ashes Of The Wake to understand why they were able to put one of the final nails in the coffin of the declining nu-metal trend and become of the main proponents for the ‘New Wave Of American Heavy Metal’ psuedo-genre. But the attention span of us consumers is a fickle one, so after six studio albums that showed a fairly paced and natural progression, you’d be forgiven for asking ‘what are Lamb Of God doing that’s still relevant and why should I care?’

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 Swallow the Sun

Emerald Forest And The Blackbird

01. Emerald Forest And The Blackbird
02. This Cut Is The Deepest
03. Hate, Lead The Way
04. Cathedral Walls (feat. Anette Olzon)
05. Hearts Wide Shut
06. Silent Towers
07. Labyrinth Of London (Horror Pt. IV)
08. Of Death And Corruption
09. April 14th
10. Night Will Forgive Us

[02/14/12]
[Spinefarm Records]

In terms of innovation and experimentation the genres of doom and melodic death metal aren’t exactly pushing the envelope now-a-days. As with several other genres there seems to be a stint of stagnation going around. It’s a shame, but it’s hard to ignore. Each year album after album is released that just feels like the same thing that’s been heard before. Everything feels recycled and phoned in, and no one wants to try something new, and it really is something worth bitching about. However, sometimes you have to just accept the fact that some albums can be outrageously good, even without all that much innovation. Emerald Forest and The Blackbird, Swallow the Sun’s fifth full length album sounds exactly like any fan of their previous works would expect, but somehow that doesn’t seem like a bad thing, and it just proves that these musicians can still entertain, even if they’re not changing or reinventing anything.

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Chimp Spanner

All Roads Lead Here

01. Dark Age Of Technology
02. Engrams
03. Mobius Pt I
04. Mobius Pt II
05. Mobius Pt III
06. Cloud City

[02/06/12]
[Basick Records]

Ah Chimp Spanner. Not just another one-man bedroom project, the past couple of years has seen the enterprise morph into something more. Ere the lapse of the festive season helmsman Paul Ortiz was capping off a fantastic year of live performances with his live band (consisting of the shred-tastic Jim Hughes, the ever-cool Adam Swann of Monuments, and the eternally entertaining Boris le Gal), touring with the likes of the legendary Cynic along with Hypno5e, and having also spent time with the likes of Uneven Structure, TesseracT, Aliases (twice) and Cyclamen. Whatever next?

Oh, a new six-track EP you say? Well, marvellous!

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Artist: Born of Osiris

Song: “Follow The Signs”

Album: The Discovery

Director: Andrew Pulaski of Abstrakt Pictures

When it comes to metal music videos, I tend to prevent myself from getting my hopes up. More often than not, I am tragically disappointed when my favorite bands release a music video. Lately, I seem to be drowning in boring, mediocre, and cookie cutter videos that wouldn’t dare push the boundaries of a cliché but rather just pump the video out, get paid, and move on to the next half-assed gig. It’s rare to find a director or crew that are passionate enough about the music that they are motivated to actually produce something unique, powerful, and fitting for a song. Basically, there needs to be more directors like Andrew Pulaski at Abstrakt pictures, who put the work and artistic vision of his videos above all aspects like money, time, and risk. His latest piece for Born of Osiris is a perfect example of the bars he is aiming to raise.

The video opens with a gorgeous high-speed ascendance into space, (of which I’ve watched countless times because it fits absolutely perfectly to Born of Osiris’ ambient interlude ‘The Omniscient’), to a dimension beyond ours where we get to see the amazingly talented Cameron Gray’s artwork explode into life. Turn it on 1080p and keep your third eye wide open, because this video is quite the trip, and one of my longest reviews yet.

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Ministry – Relapse

ministryrelapseMinistry

Relapse

01. Ghouldiggers
02. Double Tap
03. Freefall
04. Kleptocracy
05. United Forced
06. 99 Percenters
07. Relapse
08. Weekend Warrior
09. Get Up Get Out n’ Vote
10. Blodlust
11. Relapse Defibrillator Mix

[03/27/12]

[AFM/13th Planet Records]

Ministry have been around for quite a while now, and have seen some big stylistic changes through their career. They started out as a synthpop/new wave band during the early 1980′s. Their second release took a turn towards dark EBM. It wasn’t until the release of 1988′s The Land of Rape and Honey that their found their niche that they continue to play to this day.

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Eluveitie – Helvetios

Eluveitie

Helvetios

01. Prologue
02. Helvetios
03. Luxtos
04. Home
05. Santonian Shores
06. Scorched Earth
07. Meet The Enemy
08. Neverland
09. A Rose For Epona
10. Havoc
11. The Uprising
12. Hope
13. The Siege
14. Alesia
15. Tullianum
16. Uxellodunon
17. Epilogue

[02/28/12]
[Nuclear Blast]

I’ve never been too familiar or fond of Eluveitie, the Swedish folk-metallers, or folk metal in general—I much prefer the drastically different sounds of folk rock— but 2012 seems to be passing by at a snails pace, and I was desperate for a new release that could spark some sort of fire in me, so I gave Helvetios—their fifth studio album; a sprawling concept album that stretches just shy of the one hour mark—a spin. I wasn’t expecting much, but I figured it would be better than nothing. With that in mind, let me say just how wonderful it is when a band completely shatters your expectations, and has you re-evaluate your thoughts behind them. With this album Eluveitie have done something right, and set a phenomenal precedent for the rest of the year.

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Anthrax – Worship Music

Anthrax
Worship Music

01. Worship
02. Hell On Earth
03. The Devil You Know
04. Fight ‘Em Til’ You Can’t
05. I’m Alive
06. Hymn 1
07. In The End
08. The Giant
09. Hymn 2
10. Judas Priest
11. Crawl
12. The Constant
13. Revolution Screams

[09/12/11]
[Megaforce Records]

Worship Music is Anthrax‘s most recent album. I don’t think any of you don’t know who Anthrax is but if you don’t, I am more than obligated to say you’ve obviously been living under a rock. But for those rock-dwellers, Anthrax are one of the pioneers of thrash and progenitors in metal and alternative metal. Having dominated the 80′s with their signature brand of thrash and pushed through the 90′s with some of the best material of that decade, Anthrax have always had staying power and the music to back it up. I have always been a fan of thrash having grown up with parents that grew up in the 80′s. It was commonplace for me to be listening to Anthrax as a toddler and through my formative years. They have always been there.

You could say I am biased, but my tastes have changed in time. I am no longer the obsessive kid who listened to nothing but Megadeth, Metallica, and Slayer. My tastes have turned to things more inaccessible and more obscure. Coming back though, after years of nay-saying and thinking I was above these bands (enforced by Metallica’s digression), I never thought I would hear good material from a thrash progenitor again; it just seemed like a lost cause. Metallica doing jams with Lou Reed; Judas Priest on American Idol; Jeff Hanneman of Slayer saying “a Slayer album speaks for itself now. I think people know what they are getting into with a new Slayer album.” It was tiring and I just shut it all out after a while. Though, Anthrax has finally broken this trend. Here we have something fresh; an old attitude with new aesthetics; a fantastic new record breaking through the stagnant era of the Big Four.

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Tool really know how to put on a show.

I don’t get to go to a lot of shows these days. Part of it is my location, sure; Toledo gets maybe a handful of good tours a year, and I only know of a couple of good local bands, but it’s also because I’m an old man and a responsible adult, with a full-time job and a wife and kid and house and whatnot. I’m not complaining, of course, but I do enjoy concerts a great deal, so I guess going to one every year or so makes it that much better. It helps when the bands playing end up being the likes of Between The Buried And Me and, in this case, the almighty Tool. For this show, I recruited my old concert-going buddy Raybob (not his given name, at least not fully, but I’ve called him that as long as I can remember, so we’ll roll with it), whom I hadn’t gotten to see in nearly a year, and we rolled out to the Huntington Center.

I hadn’t actually been to the Huntington Center before, even though I live in Toledo, mostly because I haven’t gone to any of the Toledo Walleyes‘ hockey games. From what I hear, the place is actually pretty successful as arenas go, which is nice. After paying ten bucks to park in a lot several blocks from the arena (it was fifteen a half-block closer – score!), we hoofed it to the arena and made it in good time. From there, we got in with little hassle and headed up the stairs to the second level. After wandering the entire perimeter because we misread a sign, we discovered that the staircase to the top level was, in fact, right behind us where we had first come up to the floor, and feeling a bit silly we climbed once more.
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Erra – Impulse

Erra

Impulse

01. White Noise
02. Pattern Interrupt
03. Seven
04. Architect
05. Efflorescent
06. Vaalbara
07. Heart
08. Obscure Words
09. Invent
10. Render the Void

[11/29/11]
[Tragic Hero Records]

Every now and then a band comes along that just does things right. They may not be completely groundbreaking, but they have just about mastered their craft. For me, Betraying the Martyrs did deathcore the right way. In that same vein, Birmingham, Alabama’s Erra is a prime example of how modern metalcore should sound. They hit all the sweet spots along the way, playing music that sounds like combination of Veil of Maya and Periphery, clean vocals included.

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Intact – Cosmicgrindvortex

Intact

Cosmicgrindvortex

01. MUNI Casualties
02. Tenderloin
03. Intact
04. Sauregurkenzeit
05. Kharybdis

[10/16/11]
[Self-released]

Intact are a 3 piece mostly-instrumental progressive grind band from San Francisco. If that doesn’t pique your interest then you must be a sucker for conventions. This album is far from conventional. In fact, it is grind flipped on its head. This album captures the frantic nature of grind, but insists on having intention, different from the usual minute of insanity that you typically get per song. Intact draw out the progressive aspects of grindcore in a way where it becomes difficult to draw the line anymore.

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