Matt Mingus & Will Swan of Dance Gavin Dance: The Heavy Blog Interview

Thanks to the editor gods, I was given an opportunity to talk to the two founding members of my favorite band of all time, Dance Gavin Dance. For me, this is a dream come true. For you, it’s an insight into the minds of drummer Matt Mingus and guitarist Will Swan, two essential components that are integral to one of the most unique bands of the last 15 years. On the last day of their tour with Underoath and Veil of Maya (the only other band I’ve interviewed), we had a chat over Skype. We talked about how they select album titles, how they view bands getting softer as they get older and the legendary Paul Blart.

The Anatomy Of: Hoth

Last week, I had the extreme privilege of receiving Hoth’s new record, Astral Necromancy. It is a wondrous album that takes up a unique niche in metal: blackened melodic death metal. It’s a unique blend of death metal stylings and black metal themes all set within an established space opera…

Half-Life: Bleeding Through

If you’re not convinced that we’re currently deep in the middle of the metalcore resurgence, then the simple fact that tomorrow sees the release of the first Bleeding Through record in over six-years should lay those doubts to rest. You’ll have to wait until then for Jordan to tell you just how good Love Will Kill All is, but this seems like as good an opportunity as ever to look back upon the career of a band who were foundational to the dominant heavy metal movement of the new millennium, and who certainly carved out a strong following for themselves, yet who—in retrospect—feel somewhat overlooked compared to their peers, especially considering the sheer quality and consistency of their output. You might say, that their genre’s Testament and, if new single “Fade Into The Ash” is anything to go by, it would also seem they haven’t lost any of that edge in the more than half-decade interim.

Anatomy Of – Soldat Hans

Looking at the influences that made Soldat Hans happen sheds a bit more light on where the band members come from when approaching these issues; many of the acts listed below tap into this same desire to feel, face and excise such emotions in a healthy and productive way. Especially noteworthy is the wide range of artists presented below. Most of them have some melancholic or even depressive edge but they take different approaches in expressing these edges. Thus, we get a glance into how a diverse sound such as Soldat Hans was forged and the many places in other music from which it came. Enjoy and don’t forget to spin Es Taut when you feel up to it; it’s a ride you should experience at least once.

LIVE REVIEW: Carpenter Brut at Chicago’s Concord Music Hall, April 26th, 2018

Carpenter Brut is something of a hot item in the electronic scene. From mastermind Frank Hueso, the Poitiers-based electronic artist has risen to popularity with the aggressive, ’80s influenced synthwave, acting as an audible time travel device with a live show to match. Editor-in-Chief Eden Kupermintz has previously sung the…

Heavy Rewind – Psychotic Waltz’s A Social Grace

This Californian band’s first iteration lasted a decade, until 1997 (they are now reunited and working on new music, who’s quality is yet to be tested). During that decade they released four albums, with a clear difference between the first two and the latter two. Those two first album, and the debut especially, are masterclasses in progressive metal and represent to this day some of the best actualization of why progressive metal is great. They are technical but furiously aggressive, drawing from the pools of progressive rock and thrash equally. The result is two fantastically deep albums with the first being a timeless classic which has sadly gone forgotten.