These posts are written by: Jonathan Adams

Death’s Door // October 2017

Welcome to Death’s Door, nerds. We’re freshly past Our Lord and Infernal Master’s designated holiday, and I’m so hopped up on candy and the blood of the non-believers that I can’t even function. Despite my shot adrenal glands and ever-expanding waistline, there’s a whole lot of premium death metal to cover, as has been the custom in this most nefarious year of 2017. Praise be. October is typically a fantastic month for premier releases, especially in the world of metal. In that regard, this October did not disappoint. Melodic death metal in particular saw a glut of fantastic releases, while death-doom and progressive death metal both unleashed releases that are poised to transform the way we think about death metal as a whole. I’ve said it before and I’ll say it again, 2017 is one of the finest years for death metal of nearly every shape and type in recent memory. This is legitimately the second golden age of death metal, and I hope and pray it continues in perpetuity. Regardless, let’s celebrate the health of the music we love while it continues to fester and rot in new and unexpected ways. Our picks this month pull from many different sectors of the death metal world. Post your picks in the comments and let us know what you loved/what we missed. Let’s do this.

Kvlt Kolvmn // October 2017

Happy Halloween, 2017, from your nefarious friends at Kvlt Kolvmn! Hard to imagine a better day for this column to land near, what with all the ghouls, spirits, demogorgons and Eleven’s traipsing around with their sugar receptacles and real world terror encroaching from every corner of this planet. God, what a miserable year in so many ways. Thankfully, that misery has not extended into the world of black metal, which continues to drop sensational releases month after month. October is no exception. This month saw the release of several exceptional albums that not only continued to solidify the importance of black metal’s existence as one of the premier subgenres within the metal universe, but also its ability to offer complex, fierce statement of countercultural urgency. That last component is important for one particular album that screams thoroughly against some of the prevailing philosophical dogma that runs rampant in the darkest corners of the subgenre. Despite the most truly reprehensible portions of its collective ranks, black metal can indeed speak the language of justice. But enough talk. Let’s metal.

Altarage – Endinghent

Portal, Mitochondrion, Antediluvian, Grave Miasma, Adversarial, The Ominous Circle, and Impetuous Ritual. The mere mention of these bands automatically conjures thoughts of a particular sound, a sonic aesthetic, within the death metal community. Jagged riffs, overwhelmingly heavy and murky production values, vocals that leap slowly and maniacally from the deepest pits of hell itself. Though this strain of death metal isn’t without its detractors and controversial elements, these above bands and a host of others have constructed successful careers upon the foundation laid by Finnish gods Demilich, and in my mind death metal is all the better for it. Spain’s Altarage also belongs in this group, cementing their reputation among the most punishing of death dealers with their monumental debut release Nihl. It was as relentless, pounding, and utterly suffocating as anything yet released in the band’s chosen subgenre, and ended up being one of my favorite releases of last year. With Endinghent, the band’s much-anticipated sophomore record, Altarage continue to expand upon the sound that brought them such positive attention, but with a twist: Endinghent is without question an evolutionary leap for the band in both song-craft and sound that serves as a sonic departure from their previous work. Whether these changes are good or bad depends on your view of what makes Altarage special, and in my book the band have begun a gallant voyage into a more refined and sharp sound that not only serves to highlight their songwriting ability, but also flesh out elements of their sound that were somewhat drowned out in their last album. It’s a bold move that pays dividends with repeated listening.

Hey! Listen to Vitriol!

Vitriol are a death metal band from Portland, Oregon. Their debut EP, Pain Will Define Their Death, drops November 10th. Here’s hoping that next year they drop a full-length record. And perhaps another the year after that. Same the following year. So on and so forth. Mark your calendars, tune your EQ to “Deadly”, and prepare yourself for abject disappointment, because this EP only has three songs and that isn’t nearly enough music from this monumentally talented band. We need more of this, dammit, and we need it NOW!