Nightfear – Apocalypse

Recently, I’ve been handed a term by a friend and I’ve found myself using it a lot. That term is “Pringles metal,” which they used to describe death metal stalwarts Cannibal Corpse, who have built a 30-year career on a credo of reliability and a penchant for turning out an…

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Legendry – The Wizard and the Tower Keep

The prospect of revivalism, as we’ve discussed on the site many, many times before, is a double-edged sword. With every attempt to recreate the magic of older bands or scenes that have fallen by the wayside comes the possibility that the alchemy falters; any time eyes are turned firmly backwards,…

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Gatekeeper – Grey Maiden

The more music I listen to, the more I appreciate EPs. It used to be that I didn’t have the patience to listen to EPs, as much as that sound counter-intuitive. Something about their shorter run-time just annoyed me; I felt like I couldn’t sink my teeth into the music…

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Haunt – Burst Into Flame

It’s no secret that I love the traditional heavy metal revival. However, it’s also no secret that it’s becoming hard to find something worthwhile coming out of that impetus; the claws of repetition and carbon copies have already sunk deep into this nascent, returning sub-genre. The main problem I have…

Hey! Listen To Lechery!

Swedish act Lechery was born when Martin Bengtsson left Arch Enemy to pursue his own musical vision. The band, who play a very traditional and familiar style of classic, epic heavy metal, released their debut album Violator in 2008, and it was well received, but the band subsequently fell on hard times, with a series of unfortunates accidents and setbacks keeping them from capitalizing on the album release as well as they should have. Luckily, they managed to find their footing again, and now in 2018 they’ve released their third, and likely best, album, We Are All Born Evil.