Love Of Cartography: A Taxonomy Of Post Rock

The goal of these taxonomy posts is not to provide an exhaustive and accurate list or definition of a certain genre or genres. Quite the opposite in fact: attempting to make such a complete list would only replace one stagnated image-object with another, creating an equally irrelevant definition, whether it can be considered currently accurate or not. Therefore, we want to keep some of that fuzz, to leave ends untied and room for further articles and discussion among our readers. We’re not saying that this is going to be a series; these posts take far too much time and energy to commit to something like that. We are saying however that there’s plenty more to discuss, within and without the progressive metal genre and we’ll try and do that when we can.

So, post rock. Post rock is a perfect candidate for such an examination. On the one hand, there’s a very strong and often negative image of what post rock is. Seminal bands like Godspeed You! Black Emperor, God Is An Astronaut and Explosions In The Sky have enjoyed widespread, cultural popularity, solidifying the image of post rock in the eyes of the public. Pretentious, long-winded, dreamy, beautiful, cinematic, instrumental and rarified are all adjectives which were born from this image. Post rock was, and still is, perceived as a genre for the few, starry eyed and sentimental. Perhaps owing to just how good the afore-mentioned bands really are, their music also overpowered the conceptual space for the genre, leading people to expect certain things from the music that fell under the moniker.

Post Rock Post – Tiny Fingers

What if post-rock clashed with psychedelic rock, laden with Hammond synths, thick bass and screeching guitars? Why, only good thing would happen of course. Tiny Fingers are a testament to that: the Israeli gang mix all that and more with a splash of dubstep wubs and post-rock sensibilities to create music which is both expansive, intoxicating and groovy at the same time. It somehow manages to maintain the build-up/release vibe of most post-rock and its lengthy track runtimes without sacrificing the power to bewitch and entangle.