Pop punk is a genre that has in many ways stagnated, if you’re a pessimist, or coalesced and solidified into its more permanent sound, if you’re an optimist. That hasn’t stopped new bands from forming and taking their own stab at that sound as it can vary just enough to appeal to a variety of musicians and fans of very, very different things. One end of pop punk might favor the hyperspeed riffing and snotty vocals of NOFX and their lineage, while another side might gravitate towards the mid-tempo guitars and syrupy sweet vocal styling that was more in line with Green Day and the back catalog of bands who found a home on the now defunct Lookout! Records during their ‘90s heyday.
We like to joke around here pretty constantly that the amount of quality music out there in the world for us to consume and critique is magnitudes more than we can possibly manage, that we are drowning in a sea of music and are suffering mightily for it. We are all the "Why can't I hold all these limes?" guy.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
How to navigate the sheer number of festivals now available for the metal fan? With the aim of helping you sort through this vast variety, we've compiled the following primer. It's by no means extensive; it's simply impossible to write about all of the festivals we would have liked to mention. We focused on those we'll be attending and on those who have the most attractive setlists in our eyes. That being said, do feel free to share more great festivals with us in the comments and please enjoy this, our selection of festivals for 2017.
Ten years ago yesterday, on September 5, 2006, a little-known band from Brooklyn named Grizzly Bear released a rather unassuming album called Yellow House. It was technically their second album, though for all intents and purposes it was their first. Founding member, singer-songwriter Ed Droste, had released one full-length under the Grizzly Bear moniker a few years prior entitled Horn Of Plenty that featured drummer Christopher Bear. That album, though, wasn’t too much more than a collection of scraggly demos and sketches, a mere hint of the potential within. Yellow House brought with it the addition of fellow singer-songwriter Daniel Rossen - who had already made some minor waves in the NYC indie scene as one half of the hybrid folk and samples-heavy duo Department of Eagles - and multi-instrumentalist/producer Chris Taylor - who would rotate between bass and a multitude of woodwinds while almost singularly shaping the band’s recorded sound. This album was their first released as a full quartet and would turn out to be a powerful opening statement of what this group could achieve together. But that’s not why I’m writing this.