A Scotsman, an American, and a Mexican walk into a bar. The Scotsman, wearing a Spazz shirt, compliments the American on his Discordance Axis cap, the American, in turn, admires the Mexican's Insect Warfare pat... Read More...
In 2015, in a crowded house show somewhere in the continental United States, a large group of punks adorned in DRI and Spazz patches shivered. They knew something was about to happen, something monumental, yet could not put their fingers on it. And so they sat, drinking shitty, luke warm beer from the can while casually shooting the shit about what Infest record gave the one true representation of their sound, as well as whether or not it was weird that the band was still playing some 30 years later. However, the looming feeling that something, something massive, was on the horizon loomed, and eventually they could no longer take it, pulling out their capitalist pig iPhones in unison so that they could check their Facebooks, aiming to discover exactly what was going on.
Ah powerviolence, what a subgenre. Perhaps one of the most commonly misused subgenre labels, it is a style of hardcore punk that is truly unique in all aspects. Stylistically, it is easy to confuse with grindcore, another speed obsessed, slightly humorous, blast beat filled subgenre that arose around the same time as it. But what truly separates powerviolence from its grindcore peers is that, unlike grindcore, it is distinctly, undoubtedly 100% hardcore punk music, no metal involved (many people would argue this).
DNF, formerly known as Duke Nukem Forever, were a typical hardcore outfit with powerviolence tendencies jutting out here and there. For those not in the know, powerviolence is a subgenre of hardcore that is a bit faster, but also a lot slower. Bands like Black Flag were a major influence as they switched from early hardcore to more sludgy tunes. Bands like Infest, Spazz, and Charles Bronson started popping up around the country that went from straight up hardcore to straight up sludge.