We here at Heavy Blog like to ponder the big questions: Who are we? Why are we here? What is the best Swedish progressive grindcore album released prior to 1993? You know, the big stuff. In order to better add... Read More...
A while ago, I wrote about one of my favorite bands operating as part of the traditional heavy metal revival, Spellcaster. Since then, sadly, the band has disbanded, leaving a denim-jacket wearing hole in my heart. Luckily for me, Gabriel Franco (who played bass for Spellcaster) has forged Idle Hands from out of the molten wreckage of his former band. Idle Hands are still very much inside the traditional heavy metal definition but channel a much darker version than Spellcaster; they tend to err on the side of ballad rather than the epic proclamations of power that were Spellcaster's stock and fare but, to be honest, that approach might even be better than the original. Head on down below for your first taste!
When I started The Devil’s Roots, it was with the intention of exploring the myriad of Satanic belief systems metal encompasses in order to distinguish their differences and find out if there is anything that unifies them. Since then, I’ve discovered that even though each school does contain a specific set of individual ideas, most do share the common theme of valuing free thinking. Like the multiple branches of Satanism itself, for the most part the Dark Lord is a metaphor for autonomy and the rejection of religious establishment having any impact or influence on our lives. A few extreme right-wing interpretations aside, I think the Devil’s influence in metal has been a positive one; His name is used to inspire individuality and symbolic poetry which has made for some pretty stellar music. And the fact that artists have used it to rifle a few feathers has only added to metal’s irresistible rebellious allure.
Vote Papa Emeritus II for pope and stream a new Ghost track.