One of the things that stands out immediately on Jared Grabb’s new album, Masters, is that it feels like someone playing in their living room (or yours). There’s an intimacy that a lot of singer-songwriters of this type don’t manage to pull off but here is Grabb repping Peoria, IL and the whole of the Midwestern heart and soul on his latest effort.
Here we are, at the end of another year. Critics and bloggers internet-wide (including yours truly) are struggling to put together top 20, top 50, top 100, top 10,000 lists of best albums. And it’s kind of a lot of work. It doesn’t seem like it would be; after all, we’re simply talking about listening to a ton of records and choosing your favorite. To reduce the process to its most basic level, there are really only two responses for a listener, blogger or no, to have to an album.
With Heavy Blog having changed the kind of content we publish and how we publish it, we’ve decided to retire our recurring Unmetal Monday column in favor of more ongoing/mercurial coverage of unmetal genres like indie rock, alternative, EDM, and more. One of the side effects of this is that we no longer had a central place to write about new music and albums from these kinds of artists/bands in a more informal way - things we might want to talk about but not necessarily in long-form. In light of that and our tradition of combining certain metal releases into groups to form “Rapidfire Reviews,” we've established this semi-regular column to take three recent or upcoming releases from the world of “indie” in the pejorative sense and offer some quick takes on them. In our latest Indie Rapidfire Roundup, contributor Mike McMahan and editors Nick Cusworth and Scott Murphy offer their thoughts on three very different, yet all well-anticipated albums: La Sera's Queens, Nicolas Jaar's Sirens and Preoccupations self-titled debut.