LINGUA IGNOTA – CALIGULA

Though I have no first-hand experience with this, my sense is that it’s more difficult for women and members of the LGBTQ+ to break into the relative mainstream of experimental music. Sure, you could argue that people with an affinity for “outsider” art would naturally be more inclined to accept…

Share
  • spread the world
2865 views

Street Sects – The Kicking Mule

Austin, Texas favorite sample-based sons Street Sects career arc has been a fast, strange and always interesting one, with their extreme and extremely well-received debut End Position garnering them widespread praise, the band have evolved their sample-based sound while moving slowly away from their industrial elements, playing more to the post-punk side…

Street Sects – Rat Jacket

We’ve already vilified ourselves for missing Street Sects’s 2016 monster End Position, and if you haven’t heard it either, feel free to go spin the record now and share in our shame. The duo of multi-instrumentalist Shaun Ringsmuth and vocalist Leo Ashline came through with an exceptional dose of hyper-aggressive synth punk on End Position, making a bold statement in a genre defined by intensifying punk and its offshoots’ many disparate mannerisms. Not only was the album a debut that far exceeded the benchmark for a successful freshman full-length, it received well-deserved praise from the fickle beast that is the indie blogosphere. Perhaps the album’s success can be attributed to endorsement of well-respected “dark music” label The Flenser, or it could be due to the growing acceptance of heavy music as part of “normal” music consumption. However, there’s one undisputed factor for End Positions’s success, being the album’s undeniably impressive blend of industrial music and hardcore punk in a way that synth punk hasn’t seen done this well before. Seriously, if you haven’t heard this record, stop reading and go listen to it now; I won’t be offended, I promise.

Heavy Delinquency – Street Sects // End Position

As obsessive music fans, we have a pretty intense love/hate relationship with the constant onslaught of new music that crosses our paths on a weekly basis. By the time we sit down to compile our Release Day Roundup every Thursday, there’s a whole new slate of records that we need to tack onto our backlogs of new albums from weeks past, a list that remains replete throughout the year. This being the case, there are bound to be a handful of these albums that slip through the cracks, only to cross our paths months or years later and leave us wondering what possible reason we could have had to not listen to it sooner. While the time has passed to recommend these albums for your 2017 year end lists, we’ve decided to tweak our typical “Hey! Listen to…” series to launch Heavy Delinquency, which will allow us to talk about albums we slept on and make sure they receive the attention they deserve. Which brings us to Street Sects, the inspiration for this column and one of the greatest bands in modern synth punk.

White Suns – Psychic Drift

Over the past several releases, New York-based White Suns have crafted an abrasive and esoteric noise rock formula. Rather than operating in the genre’s standard fare of “noisy rock,” the trio of Kevin Barry (vocals, guitar), Rick Visser (guitar, electronics) and Dana Matthiesen (drums, electronics) have opted instead for a seamless marriage of noise and experimental rock, with an elevated mood of unease conjured by Barry’s cryptic lyricism and spoken word delivery. It’s a peculiar formula which unfolded spectacularly across nine disorienting tracks on the band’s previous effort, Totem (2014). The album presented an abundance of these unhinged noise rock bastardizations accented by extended passages of dark ambiance and industrial noise that created a painful degree of suspenseful dread before the band finally released the listener back into its chaos-ridden assault. It’s the styling of these moments that composes the bulk of Psychic Drift, a four-track bludgeoning anchored by a nightmarish lyrical* journey as disturbing as the music that engulfs Barry’s narration.

Pharmakon – Contact

The Ancient Greek word “φάρμακον” (or “pharmakón”) is ingrained with a dichotomous etymology and, by extension, philosophical implications. At its root, the word has a conflicted translation of representing any drug, appropriate to use for discussing either a remedy or a poison. Yet, when extended to its use in the culture of…

Various Artists – NOISE

In their down time from story-boarding episodes of Rick and Morty and Mr. Pickles for Adult Swim, the team at Williams Street Productions has been an odd source of quality underground music compilations and albums. Not only does their catalog feature works from the likes of Captain Murphy (a.k.a Flying Lotus) and Destruction Unit alongside annual, multi-genre compilations, nearly all of these albums are entirely free to stream and download. If you’re searching for a negative here, there isn’t one, a point the company proved yet again last month with their most avant-garde offering to date. The appropriately blunt title for NOISE should point to the abrasiveness of this collection of tracks; an eclectic range of compositions from an equally broad roster of artists, all of whom approach “noise” as a malleable concept meant to be stretched to its limit.