A dark and foreboding greeting to you, heaviest of Heavy Bloggers! Yes, I’m afraid it’s that time again. The death of the year 2018 demands a review, and we would be quite foolish not to oblige. It’s been another very solid year for doom metal. Personal favorites and genre darlings alike have returned with huge releases, up and comers have made themselves known, and a certain giant of the scene made a comeback after a far too long hiatus. What’s not to like about DOOM 2018?
One of my favorite aspects of being a music writer is being able to spend plenty of time dissecting albums I review for the blog ahead of their release. And for albums like Out of Time, that extra time is nothi... Read More...
Greetings, heaviest of Heavy Bloggers! Welcome to Doomsday, our monthly roundup of some of the most noteworthy releases in the doom world released over the past month. April was a true sleeper month for doom as some of the most titanic releases were saved for the month’s back half. Who knows? Maybe there was even a surprise release last week you heard about perhaps? With this much to bang our heads to, we better get straight to it. Enough chatter! Grab your earplugs, it’s doomsday.
Ufomammut are a strange band. Let’s just get this out of the way right off the bat. The Italian trio of metallers moonlight as professional graphic artists in the Malleus art collective, and also have an expansive back catalog of albums that plunder elements of psychedelic, stoner, and sludge-infused doom with reckless abandon. Given this mix of styles, the band are fairly difficult to pigeon hole into any specific subgenre niche in metal. Which is simultaneously both one of the best things about their music and one of the worst aspects of it when trying to explain how they sound in a review. But bravely shall I endure for the cause.