If not for the fact I was browsing in Bandcamp's "Jazz" section, I probably wouldn't have approached Wandering Monster expecting an intricate, infectious style of jazz fusion. At first glance, the album cover ... Read More...
One of the most consistently difficult and frustrating things about covering music that falls into the buckets of math rock, fusion, prog, and more is that a central and foundational tenet of that music - complexity - also ends up being the very thing that is the music's undoing. Fans can (and do) constantly obsess over how many unusual time signatures a song packs in as a proportional measure of how great that music is, but so often in the pursuit of the most head-spinning riffs, polyrhythmic grooves, and impenetrable song forms, what most frequently is lost is the music itself and whether it's actually worth listening to. There's nothing wrong with complexity and complicated music, but if there isn't an adequate payoff for the time and patience required to "understand" it then what exactly are we doing here?
"Modern" has always been one of my least favorite genre prefixes. With the myriad of stylistic tags at artists' disposal, it seems like an odd choice to fixate on the recency of a piece of music as a means of describing its sound. As is demonstrated by any number of revivalist movements operating in the current music landscape, "modern" music isn't always a guarantee of fresh, forward-thinking ideas, and in my experience, the tag is often used to posture standard genre fare delivered with a newer sheen as something new and revelatory. Of course, there's an exception to every rule, and when it comes to this particular pet peeve of mine, I've never been happier to have a band prove me wrong as wrong as COAST do with their phenomenal self-titled debut. Every aspect of COAST embodies what "modern" jazz should represent. Over the course of the album's six brilliant tracks, the quartet executes jazz's greatest traits with precision and agility. In short, COAST offers everything jazz fans love about the genre, except this time, it's simply performed at a better, higher level.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
It's been a while since we've written one of these columns, and that's not because we dislike them. Past a certain point it starts to become more difficult to find important bands representing or making waves in a certain genre or sub-genre and finding a group of similar or tangentially-related bands to recommend. Up to this point though we haven't really written one of these posts as essentially a response or plea to listeners. Sometimes bands who execute a certain style or sound garner a lot of critical and popular praise to the point of being credited with some sort of innovation or something radically different from anything else out there when the reality is far from that. It's rarely the fault of the bands themselves though as they don't give themselves that kind of credit, but once in a while it's important for someone to politely correct consensus thinking and offer a little more context, and that is exactly what we're going to do here and now with the debut album from metal/jazz fusion band Nova Collective.
Just this past week we saw how important the ACLU still is. One of the first to confront the so called "Muslim ban" enacted by the indifferent pen of Donald Trump, it began the long and arduous legal battle against this administration. With not only the presidency but also Congress and Senate painted in the most extreme and reckless red imaginable, their work will grow seven-fold; now they must take on the legislative branch instead. Thus, and despite of the already remarkable success their fundraising has seen in the past week, Bandcamp's contribution to the ACLU is admirable. We're here to do our share; below you'll find a list of artists that are worthy of your support on this Friday.