As we deepen our exploration of different genres, expectations form alongside our opinions. This allows us to better curate and analyze music within a constant, torrential downpour of new releases. With bands like Bolt Gun in the broader “post-metal” landscape, we expect powerful themes with a cinematic delivery, something the…
Writing a standout doom metal album is a difficult task nowadays. This isn’t due to an overall lack of quality within the genre’s modern progenitors, but because of the antithesis; more and more excellent doom metal albums seem to enter the running for our year ends lists with each passing year. MONARCH! (Monarch from here on out) has never struggled with this endeavor over the course of their 15-year career, particularly when it comes to their recent output with the eminent Profound Lore Records. Yet, while Sabbracadaver was certainly a doom highlight in 2014, Never Forever sees the band returning this year with their most colossal and grandiose album to date, presenting a masterful synthesis of drone metal with doom’s more macabre characteristics. We sat down with the band to discuss the process of writing their latest epic, as well as a handful of other topics related to their past, present and future within the shifting landscape of modern doom.
At this point, it must seem like we’re long past beating a dead horse when it comes to using this space atop our Editors’ Picks column to reiterate the mantra of “there’s just too much music!” But as we’re sure many of you have noticed, the amount of new music we face on a weekly basis far outpaces the time needed to digest it all, something we were reminded of yet again when it came to facing the onslaught that was September. Not only did the month have five Friday release days instead of the usual four, each of those official marker points for new music seemed to attract an enormous quantity and quality of releases from all corners of the music landscape. When we (The Editors) finally pared down our playlists and picked our personal recommendations for the month, we found ourselves with perhaps the longest list of album suggestions we’ve ever presented to our fine readers. Among these are albums from artists both old and new that hail from nearly every genre we all listen to on regular basis. This being the case, let’s not waste any more time and instead get to digging through the gold pile that was September.
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the week’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
Managing an album’s length is more than just a numbers game. As important as the song count and run time of a track list may be, an album’s experiential length is more closely linked to the content contained within each track. More specifically, this is defined not by the quality of an album’s ideas, but the quantity of those ideas, as well as their organization. As an example, consider your standard 20-ish minute, 20+ track grindcore album—though it may be shorter than most people’s morning commute, a band with the the most simple genre formula is introducing the listener to roughly two dozen song ideas, and if these ideas are executed poorly, the album is going to drag and lose its appeal despite presenting bite size compositions. This isn’t relevant to Never Forever because it suffers from an ineffective length; to the contrary, MONARCH! (Monarch, from here on out), have crafted an album with perfect pacing and structure that enhances the impact of the record. But the band operate in a genre rife with overindulgence, as evident by the sheer number of doom and drone metal albums comprised of a handful of tracks that each rival the entirety of a grindcore album while presenting barely enough ideas to rise above being musical melatonin.