Unmetal Monday – 6/26/2017

There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a different style in each square. While we have occasionally covered non-metal topics in past blog posts, we decided that a dedicated column was once again warranted in order to more completely recommend all of the music that we have been listening to. Unmetal Monday is a weekly column which covers noteworthy news, tracks and albums from outside the metal universe, and we encourage you all to share your favorite non-metal picks from the week in the comments. This week, we’ll be highlighting several albums that struck our fancy over the past few weeks. Head past the jump to dial down the distortion:

The Response To PWR BTTM’s Sexual Assault Was Swift And Appropriate, So Why Can’t We Get It Right With Any Other Band?

When I found out that Ben Hopkins was outed as an abuser and rapist I was heartbroken. I was heartbroken for my friends who loved PWR BTTM. I was heartbroken for all of the queer kids and young queer adults who looked up to this band who (at the time) appeared to really care for their communities. They were activists. They were one of us. They held space for a community of people who didn’t quite fit in anywhere else. PWR BTTM stood up for us. They were just like us, and when people like us are ousted we see ourselves in them and we lash out. We grieve. We process. We take action. We compartmentalize. We move on and hope we won’t have to deal with this again until we do, because this is work that never stops.

Swans & Michael Gira – The Great Annihilator/Drainland (Reissue)

Though Swans has had several sonic reincarnations, The Great Annihilator is one of the most important phoenixes in the flock. After five perverse, punishing records, Michael Gira and crew began to slowly drift up from the gutters into some puzzling territory. The band followed up Children of God (1987) with an unexpected absolution and released The Burning World (1989), a collection of gothic-tinged neofolk album which was easily the most pleasant offering they’d composed up until that point. Then came sister albums White Light From the Mouth of Infinity (1991) and Love of Life (1992), which strayed slightly from their predecessor but took the general framework along with them. Swaying between dismal post punk, morbid folk and unidentifiable bliss, these albums flirted with a sound that Gira and crew would perfect on The Great Annihilator (1995), one of the greatest achievements of Swans initial life as a band.

Always Riled Up: Protest Music For A New Era, Part 2 – the Thor Harris Interview

Known internationally for his work with Shearwater, Smog/Bill Callahan, the Angels of Light, Swans, and Devendra Banhart, Thor Harris is also a legendary craftsman whose woodworking skills are apparent in the handcrafted percussive instruments he employs – Monofonus Press. Our latest piece in this series on protest music and art is an interview with Thor Harris, he of the crushing soothing percussive sounds behind Blog faves, Swans, and lately more notorious for having been banned from Twitter for either a video on how to punch a Nazi (don’t do it unless you have to) or for images used on his profile. YMMV.