Polish melodic death metal outfit, In Twilight’s Embrace, are experts at finding the balance between black metal’s raw, foreboding aesthetic and death metal’s clear cut maximalism. Their last full length, 2015’s The Grim Muse, had some excellent riffage with a thin varnish of mystery and darkness. The band seems to be toying with the same sort of atmospheric melodic death metal as contemporaries Insomnium and Be’lakor but with the sinister undertones of black metal nihilists like Mgla. It’s a timeless sound that echoes of melodeath’s earliest Gothenburg demos and yet still finds resonance with today’s modern metal listeners. Heavy Blog Is Heavy now has the honor of premiere a video for their newest track, “As Future Evaporates”, a righteous anthem with a beautifully shot video.
Sometimes you put on a record and the music cascading into your head gives you a jolt straight up your spine. That opening salvo is everything you want, pushing all the right buttons and getting your blood pumping, your heart racing, and your mind zeroed in on nothing but the music. Pure, unadulterated sound that fills you with elation, an exuberance you can barely contain. I have been overcome by this sensation many times as a music listener. It’s that uncommon state of absolute and unashamed excitement for what comes next. Unfortunately, what actually comes next doesn’t always live up to that initial rush, either by sheer sugar rush effect or simply because the remaining tracks on the album aren’t up to the standards set by the opening track. What it comes down to is that many albums are good, but few are great. It is a truth that music lovers have to accept every time that damned opening track teases us into blind, all-encompassing hope that the rest of the album will live up to the soaring heights of those first few, precious moments. Cormorant’s new album Diaspora gave me this feeling I just described. But in those first few incredible moments, I couldn’t help wondering whether this reaction would persist. What resulted over the next hour was a thoroughly remarkable journey that I have relived and revisited many times since then. TL;DR: This album is profoundly good.
Welcome to Voices of the Void, a new column on Heavy Blog is Heavy! On this segment, I will be diving into the vocal profiles of metal and rock’s most skilled voice performers. The world of heavy music has a wi... Read More...
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the day’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
There's clearly some brilliance hidden somewhere in Wintersun. It's not trivial to make concept albums with long songs and multi-layered instrumentation. To even attempt such a feat takes a certain degree of ambition and courage. Even when an attempt like this fails, it's hard to fault a band for trying. Hard, but not impossible. It can be made especially easy when the band act arrogantly and set themselves up for failure. Positioning an album as "this is not the amazing album we promised, but something inherently and intentionally inferior to tide you over" is just not an attractive proposition for fans. Even setting that aside, if the music was good enough, that could erase all bad will. If it is good, that is. And it isn't.
Long Island based Iapetus provide us with a left of field lesson in what ambition bridled by talent can create. Their 2017 self-release (which is, and always will be, completely free) The Long Road Home is an ambitious album which spans progressive death metal, neo-folk and progressive metal. It insists, even unto the brink of failure, to go where the vision of the two artists takes it rather than where convention would dictate it should go. As mentioned, during this process it comes dangerously close to overreaching its boundaries and even faintly grazes the markings of overwrought artistry. But for those willing to brave those extremes of wild, self indulgent and un-tethered self expression lies an album full of great musical moments.
Persefone are no newcomers to metal, but they do stand in the shadow of their previous release, The Spiritual Migration. This album, lauded by many (including us) as a masterpiece of modern progressive metal, completely destroys any but two or three other releases in its own genre. It was, and remains, fresh, surprising, intimately familiar and yet, somehow, irreverent at the same time. Therefore, when the band announced a crowdfunding campaign for its follow up last year, titled Aathma, breaths were held across the community. Can Persefone achieve one of the two options above? That is, can they either recreate something close to The Spiritual Migration or, failing that, depart from that monumental creation into something just as good?
One of the things I love about having the opportunity to review albums is checking out bands that are just gaining a foothold beyond their local scene. Greensboro, NC metalheads, Undrask, are one of those bands I probably wouldn't have learned about if not for having a copy of this album slid over to me by the Heavy Blog editors—but I'm glad it did.
Supergroups are almost always a tricky endeavor. It’s inevitably impossible to not have incredible expectations attached to them, especially when they involve members of some of Metal Blade Records’ biggest acts like Killswitch Engage, Cannibal Corpse, and The Black Dahlia Murder. Add to that the fact that Serpentine Dominion has been in talks for almost five years now in some shape or form, and it’d seem almost impossible for this project to live up to the expectations fans have built up for it. Thankfully, this self-titled debut doesn’t falter and delivers a concise yet brutally-appropriate slab of melodic death metal that feels like each of these three musicians’ best work in quite some time.
After a month off whilst I traveled the world, we’re back with October’s edition of A Gift to Artwork, and we’re looking at In Flames. The Gothenburg Trio alum took the world by storm when they emerged at the forefront of the melodic death metal movement in the mid-to-late ’90s; however, their change in sound and direction at the turn of the century - and again post-2010 - have polarised fans the world over. Though their modern relevance continues to erode, the artistic legacy they’ve left behind still stands the test of time. Part of this legacy rests within their cover artwork as well as their music, and so today we’re going to be looking at three album covers, one from each of the three main eras of the band’s history.