What Heavy Blog Is Really Listening To – 1/6/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

No Distortion: The Role of Acoustic Guitars in the Evolution of Black Metal

With cold, treble-tipped tremolo riffs, agonized rasps and Satanic imagery, black metal might seem like the farthest thing from acoustic folk. But despite their distance, acoustic guitar has slowly crept into black metal since its unholy birth, even with the strict cultural norms that once governed the sound and image of black metal. Interestingly, the use and purpose of acoustic guitars in black metal is not random, but traces patterns across the evolution of black metal, from Bathory to Panopticon.

Heavy Rewind – Opus Nocturne

In my previous two Heavy Rewinds, I covered bands in completely different realms of the Scandinavian extreme metal renaissance of the 1990’s. Lord Belial showed us what the black metal scene might have evolved into had it not fractured so quickly, and Merciless proved that progress doesn’t have to entail more extreme, aggressive music. But don’t tell that to the third installment of this unholy trinity of Heavy Rewinds. Marduk is in the business of blast beats and BPM, and was responsible for some of the most aggressive music around in 1994.