We've had our eyes on Pelagic Records ever since the label was started around the post metal powerhouse that is The Ocean. Their mission seems to be the quality release of anything hovering around the post metal and rock monikers, extending their fingers into dark folk, electronic beats and more. While Pelagic has been doing great things over the years since their founding, 2017 seems to have been a true watershed for them. From stellar releases (with names like Lo!, Labirinto, LLNN, pg.lost and many more) to new signings (like Ancestors, one of my favorite doom bands of all time), Pelagic has been all over the map of the metal community. Nothing drives home their upwards momentum more than a compilation they themselves have released, in conjunction with Visions Magazine.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Today we're joined by none other than the mercurial Gods of Eden from Sydney, Australia. These progressive metallers earned a rave review with 2015's exceptional debut LP From The End of Heaven, a release which found itself right up there on our 2015 end of year list and helped inspire our Beyond the Veil column. Grandiose compositions, enchantingly technical guitar playing, cinematic soundscapes and diverse vocals are the name of the game here, and we're predicting big things to come from these guys. Without further ado, let's get into it and see what they have to say about the concept behind their debut, what their new album will sound like, the Australian scene and more!
In the wake of The Ocean's highly successful Pelagial, a new strain of post metal was born, one which flirts with the antics of stoner and doom. Feeding off the latter of that seminal 2012 album, this style of music utilizes delay-ridden techniques in conjunction with fuzzy feedback and hoarse vocals to create its emotional impact, blending both atmosphere and visceral assaults. North, fresh off the tour with Intronaut and the aforementioned band (a tour being wrapped up next month), belong to the lower end of such a style. Their Light the Way attempts a blend of more ephemeral guitar lines that might echo So Hideous or Junius and feedback drenched chords that belong on a Earthship or Lo! album, or any of the sister projects that make up The Ocean Collective. But does it work? Yes and no: every track, on its own, is a solid and well thought out unit, expertly weaving between the two styles. However, something about the album structure doesn't click and the tracks tend to blend together. It takes several listens to tell them apart and, even then, one finds himself drifting into a a sea of sameness as lead after fuzzy riff crashes down upon him. Let's start with the good however.